Showing posts with label Jeff Chang. Show all posts
Showing posts with label Jeff Chang. Show all posts

Thursday, November 4, 2010

Jeff Chang: It’s Bigger Than Politics, the Real Shift is Cultural



Jeff Chang: It’s Bigger Than Politics, the Real Shift is Cultural
by Jamilah King

In the wake of this week’s election, we talked to scholar and ColorLines co-founder Jeff Chang about what to make of the country’s big shifts and shakedowns. The author of “Can’t Stop, Won’t Stop: A History of the Hip Hop Generation” and “Total Chaos: The Art and Aesthetics of Hip-Hop”, Chang’s used to looking at the bigger picture. He’s got two new books due out next year, one of which, “Who We Be: The Colorization of America” takes a look at how culture impacts, and often precedes, political change. Here, he sheds some much needed light on what’s happening politically, and where we’re headed in the future.

First, let’s get some historical context. What makes this political moment so potentially galvanizing for young voters of color? Aren’t we supposed to be “post-racial”?

The culture wars are back, and they have targeted a new generation. To me, Sharron Angle’s “you look Asian to me” moment was a perfect example. Pundits and bloggers focused on the stupidity of her comment, but the discussion was prompted by a Chicano student who was calling her out on her anti-immigration commercials that featured criminalized brown youths. Angle’s defense—I’m so colorblind, I can’t even tell what race you are—was not just hilarious, it was brutal in its dishonesty. The ads that the students objected to were far from colorblind.

For the right, this election proved—from Rand Paul to Jan Brewer—that racialized appeals to older white voters still mobilize, that the culture wars still work. The upside is that in Nevada, Chicano and Latino voters and young voters flipped the race for Reid, who had been several points down in the days leading up to the election.

Young voters, particularly those of color, really rallied behind Obama in 2008. There’s been a lot of talk of how that support is quickly eroding. What needs to be done to once again strengthen that electoral base?


Obama did fairly well by youth. He passed an outstanding student loan overhaul package that will immediately help access to higher education, especially in this era of skyrocketing public school tuition. Perhaps he could have sold it better. But his communications failure was a sign of a larger failure. Going on MTV was good. Barnstorming college campuses was good. Sending a message of “Vote or die” in 2010 was not good. What Obama failed to do for young people was what he failed to do for his base, because youths are now definitively seen as his base: offer a positive progressive vision for the next 2 years.

Read the Full Essay @ Colorlines

Bookmark and Share

Thursday, September 10, 2009

The Future of Hip-Hop Studies @ The University of Wisconsin



THE OFFICE OF MULTICULTURAL ARTS INITIATIVES
THE HAVENS CENTER
THE OFFICE OF THE VICE PROVOST FOR DIVERSITY & CLIMATE
@ The University of Wisconsin at Madison

Present

JEFF CHANG
American Book Award Winner

&

MARK ANTHONY NEAL
Duke University


GETTING REAL: THE FUTURE OF HIP HOP STUDIES SCHOLARSHIP
Monday, September 14, 7pm,1100 Grainger Hall

This is the opening event of a 9 week series on "The Future of Hip Hop Studies Scholarship." Please join us for the rest of the series. All talks are free and open to the public. Monday nights, 7pm, 1100 Grainger. For more information, call 890-1006 or visit the Havens Center website: www.havenscenter.org.

Co-sponsoredby Afro-American Studies, the Art Department, Global Studies, the History Department, the School of Education, the School of Music, the Sociology Department, the Vice Provost for Faculty & Staff, & the Womens Studies Program.


JEFF CHANG has written extensively on culture, politics, the arts, and music. He is a 2008 USA Ford Fellow in Literature and a winner of the 2008 North Star News Prize. His first book, Cant Stop Wont Stop, garnered many honors, including the American Book Award and the Asian American Literary Award. He was a founding editor of ColorLines magazine, and a Senior Editor/Director at Russell Simmons 360hiphop.com. He has written for the San Francisco Chronicle, Vibe, The Nation, and Mother Jones, among others. In 1993, he co-founded and ran the influential hip-hop indie label, SoleSides, now Quannum Projects, helping launch the careers of DJ Shadow, Blackalicious, Lyrics Born and Lateef the Truth Speaker. He has helped produce over a dozen records, including the godfathers of gangsta rap, the Watts Prophets. After being politicized by the anti-apartheid and anti-racist movements at the University of California at Berkeley, Jeff worked as a community, labor and student organizer, and as a lobbyist for the students of the California State University system. He was an organizer of the inaugural National Hip-Hop Political Convention and has served as a board member for several organizations working for change through youth and community organizing, media justice, culture, the arts, and hip-hop activism.

MARK ANTHONY NEAL is Professor of Black Popular Culture in the Department of African and African American Studies at Duke University. He is engaged in interdisciplinary scholarly work in the fields of African-American, Cultural, and Gender Studies that draws upon modes of inquiry informed by the fields of literary theory, urban sociology, social history, postmodern philosophy, Queer theory and most notably popular culture. His broad project is to interrogate popular culture--music, television, film, and literature--produced within the context of Afro-diasporic expressive cultures. Neal is the author of four books, What the Music Said: Black Popular Music and Black Public Culture (1998), Soul Babies: Black Popular Culture and the Post-Soul Aesthetic (2002), Songs in the Keys of Black Life: A Rhythm and Blues Nation (2003) and New Black Man: Rethinking Black Masculinity (2005). Neal is also the co-editor (with Murray Forman) of Thats the Joint!: The Hip-Hop Studies Reader (2004). A frequent commentator for National Public Radios News and Notes with Farai Chideya Neal also contributes to several on-line media outlets, including NewsOne.com. Neals blog Critical Noir appears at Vibe Magazine.

Sunday, April 19, 2009

Stimulating the Arts


from The Nation

The Creativity Stimulus
By Jeff Chang
April 15, 2009

On inauguration day, Tom Brokaw was moved to compare Barack Obama's election to Czechoslovakia's 1989 Velvet Revolution. At the eye of each storm, of course, was an icon who merged the political and the aesthetic--Václav Havel, the rock-star poet and prophet, and Barack Obama, the post-soul master of his own story. Both struck down eras of monocultural repression with their pens.

Artists played a largely unheralded role in Obama's victory. But they had been tugging the national unconscious forward for decades, from the multiculturalist avant-gardes of the 1970s and '80s to the hip-hop rebels of the '90s and 2000s, plying a fearless, sometimes even unruly kind of polyculturalism. By the final months of the election season, these artists had secured Obama as the waking image of change.

Every moment of major social change requires a collective leap of imagination. Political transformation must be accompanied not just by spontaneous and organized expressions of unrest and risk but by an explosion of mass creativity. Little wonder that two of the most maligned jobs during the forty years after Richard Nixon's 1968 election sealed the backlash of the "silent majority" were community organizer and artist.

Obama was both. So why haven't community organizers and artists been offered a greater role in the national recovery?

During the transition, arts advocates floated some big ideas--including the creation of an arts corps to bring young artists into underfunded schools, the expansion of unemployment support and job retraining to people working in creative industries and the appointment of a senior-level "arts czar" in the administration. But in practice, they faced the wreckage left by a nearly three-decade culture war.

In January they lobbied for $50 million for the NEA in the stimulus package and prevailed over Republican opposition. The one-time allocation will preserve more than 14,000 jobs, allow for new stimulus grants and leverage hundreds of millions more in private support for the arts. Two million Americans list "artist" as their primary occupation. Nearly 6 million workers are employed in the nonprofit arts-and-culture complex. In the words of the NEA's Patrice Walker Powell, the stimulus vote finally "dignified [them] as part of the American workforce."

Read the Full Essay HERE

***

Jeff Chang, a 2008 USA Ford Fellow in Literature, is the author of Can't Stop Won't Stop: A History of the Hip-Hop Generation. He is at work on Who We Be: The Colorization of America, on the cultural implications of the new American majority

Monday, August 13, 2007

...That Presidential VIBE

from NPR's New & Notes w/Farai Chideya

Democratic presidential candidate Barack Obama is on the cover of Vibe magazine's September issue, the first time a politician has appeared there. Vibe Editor-in-Chief Danyel Smith speaks with Farai Chideya about the honor bestowed upon the senator from Illinois.

Listen Here

***

Obama Q&A with Jeff Chang (the full transcript)