In a year marked by what I didn’t write about—The death of Luther Vandross, Kanye West's Late Registration and the murder of Stanley “Tookie Williams” among them—these are the best of the pieces that did make it to “print”. Also not included are any of the essays blogged at NewBlackMan–I still very much consider my blog writing as an examples of me “thinking out loud”.
***
1. Rhythm and Bullshit? (Parts One, Two, Three)
The inspiration for this series on contemporary R&B was the commentary I provided for two documentaries—John Akomfrah’s Urban Soul (2004) and part 6 of the BBC’s Soul Deep (2005) series. There are folk who do a great job discussing the aesthetics of black music and others who do well discussing the business of black music. This was attempt to do both.
Rhythm and Bullshit?: The Slow Decline of R&B, Part Two
New Jack Swing, Mary J. Blige and the Coming Hegemony of Hip-Hop
Rhythm and Bullshit?: The Slow Decline of R&B, Part Three
Media Conglomeration, Label Consolidation, and Payola
2. Critical Noir: Songs of the Sad Minstrel
This was attempt to put the legacy of me like Bert Williams and Lincoln Perry (Stepin’ Fechit) in conversation with hip-hop. Despite my comments about John Smith (Lil’ Jon), I firmly believe that we need to look past the surface of the stereotypes so often react to.
3. Can Hip-Hop BE?: A Review of Common’s Be
This is a now forty-year-old father of two little girls coming to terms with his relationship with hip-hop culture and rap music.
4. Freedom Summer Remembered: A Conversation with Denise Nicholas
I’ve been a fan of Denise Nichols since I was seven—a school-boy crush derived from repeats of Room 222. Not only beautiful, this brilliant woman was part of the swirl that changed the world during the Civil Rights movement. Her fictionalized account of those days brings that era to life for the hip-hop generation.
5. A Nigger Un-Reconstructed: The Legacy of Richard Pryor
I really wanted to make plain the genius of this man and to attempt, to give another view of Pryor’s relationship to the word “nigger”
6. Critical Noir: Daughters of Sister Outsider
&
Critical Noir: Can Hip-Hop Be Feminist?
These are the final two columns that I wrote for AOL Black Voices, before they dropped my column. The pieces are symbolic of the disconnect between my work as a public intellectual and corporate-styled on-line magazines, solely designed to deliver “black” consumers to advertisers.
7. The Next Great "...(Whatever)" : John Legend
&
A Change Done Come: Leela James Sidesteps the Rhythm & Bull
I had very little chance to do pure music criticism, after logging nearly 200 reviews over the past five years for Popmatters.com and SeeingBlack.com. These are the best of music reviews that I did this year.
8. Critical Noir: A Hustler's Legacy
There are so many of our genius that deserved to be given a full form analysis—Phyllis Hyman, Etheridge Knight, Donny Hathaway are just the one that come to mind at the moment. Much praise to Eddie B. Allen for bringing Donald Goines to life.
Tuesday, December 27, 2005
Saturday, December 24, 2005
The Soul Christmas Mix-Tape
The Soul Christmas Mix-Tape
by Mark Anthony Neal
As a child growing up in the “boogie down” Bronx in the early 1970s, there was very little illusion that Christmas Day would bring the snowy white scenes that were so often depicted on holiday greeting cards. I always understood that the toys and things that I peeped in the Sears and Spiegel catalogs were not gonna make it to my apartment come Christmas morning. Instead, so much of the joy I took from Christmas came from the music.
Now on the other side of childhood, calls for “joy” and “peace on earth” ring hollow when coming from some department store chain only a week after the beginning of autumn. But like my childhood, I never fail to become overtaken by the Christmas spirit the first time I hear Jermaine Jackson sing the opening lines of the Jackson 5’s version of ‘Have Yourself a Merry Little Christmas.’ For those of you also suffering the doldrums of another disenchanted holiday season, here’s a soulful Christmas music roundup to lift your spirits.
'Merry Christmas Baby' -- Otis Redding
'Merry Christmas Baby' is a song that is forever linked to legendary rhythm-and-blues (not R&B) artist Charles Brown, but Otis Redding brought his own take on “down-home” soul to his 1967 version of the song.
‘White Christmas’ -- The Drifters
Perhaps lead bass Bill Pinkens was signifyin’ on Bing Crosby in his opening verses to The Drifters’ 1954 version of ‘White Christmas,’ but by the time the incomparable Clyde McPhatter literally soars in with that third verse -- “I, I, I, I, I’m dreamin’ of a white Christmas …” -- it’s clear The Drifters had made the song their own. A whole new generation of folk were introduced to this version of the song when it was featured in the film ‘Home Alone.’
‘Back Door Santa’ -- Clarence Carter
Clarence Carter is as nasty as they come -- his chitlin’ circuit favorite ‘Strokin’’ is a great example. With ‘Back Door Santa’ Carter made Christmas nasty, too. Years later, Run-DMC would sample the song for ‘Christmas in Hollis.’
‘Gee Whiz It’s Christmas’ -- Carla Thomas
The daughter of Rufus Thomas (he of ‘Funky Chicken’ fame), Carla Thomas was the first lady of the Stax label. ‘Gee Whiz It’s Christmas,’ a sweet little ditty about running into a long lost love, was co-written by Thomas with Steve Cropper of Booker T. and the MGs. The song was a riff off of Thomas best-selling ‘Gee Whiz (Look at His Eyes).’
‘O Holy Night’ -- Vanessa Bell Armstrong
Arguably the most talented female gospel vocalist of the past 20 years, Vanessa Bell Armstrong brought us a sanctified Christmas on her 1990 album ‘The Truth About Christmas.’ The highlight was a God-fearing, heart-stopping rendition of ‘O Holy Night.’
‘Silent Night’ -- The Temptations
In 1970, the Temptations recorded ‘Christmas Card,’ which was one of the last albums that featured the most classic Temptations lineup. A decade later they recorded ‘Give Love on Christmas’ with Dennis Edwards, Glenn Leonard and Melvin Franklin’s booming bass giving ‘Silent Night’ a much needed Temptations update.
‘Let It Snow’ -- Boyz II Men
At the peak of their fame and artistry, Boyz II Men teamed with Brian McKnight on an original version of ‘Let it Snow’ that was penned by McKnight and Wanya Morris. The album it appeared on, ‘Christmas Interpretations,’ may be the best holiday album recorded by any contemporary R&B act.
‘At Christmas Time’ -- Luther Vandross
Years before Luther Vandross became Luther Vandross, the emerging soul singer recorded ‘At Christmas Time’ (1976). Given Vandross’ reputation as the greatest soul vocalist of his generation, that means that ‘At Christmas Time’ is indeed something special.
‘Hallelujah’ -- Handel’s Messiah
In 1992, Mervyn Warren and Quincy Jones brought together a veritable who’s who of black music to record ‘Handel’s Messiah: A Soulful Celebration.’ Included among them were Al Jarreau, Chaka Khan, Take 6, Jeffrey Osborne, Gladys Knight, Andre Crouch, Dianne Reeves, Stevie Wonder, The Boys Choir of Harlem, Vanessa Williams, as well as actors Clifton Davis, Charles S. Dutton, Phylicia Rashad and Kim Fields, many of whom appear on the album’s closing rendition of ‘The Hallelujah Chorus.’ Handel ain’t never sound so funky.
‘The Christmas Song’ -- Nat King Cole
In all honesty, you haven’t really experienced the Christmas season if you haven’t heard Nat King Cole doing his thing. Arguably Cole’s version of ‘The Christmas Song’ has surpassed even Bing Crosby’s ‘White Christmas’ as the quintessential American Christmas song.
‘This Christmas’ -- Donny Hathaway
Donny Hathaway is so deserving of the tag “genius” that it is somewhat ironic that ‘This Christmas” might be his most well known song. Nevertheless if black America has a clear-cut holiday anthem, it’s this Hathaway original. Like the man said, “Shake a hand, shake hand.”
by Mark Anthony Neal
As a child growing up in the “boogie down” Bronx in the early 1970s, there was very little illusion that Christmas Day would bring the snowy white scenes that were so often depicted on holiday greeting cards. I always understood that the toys and things that I peeped in the Sears and Spiegel catalogs were not gonna make it to my apartment come Christmas morning. Instead, so much of the joy I took from Christmas came from the music.
Now on the other side of childhood, calls for “joy” and “peace on earth” ring hollow when coming from some department store chain only a week after the beginning of autumn. But like my childhood, I never fail to become overtaken by the Christmas spirit the first time I hear Jermaine Jackson sing the opening lines of the Jackson 5’s version of ‘Have Yourself a Merry Little Christmas.’ For those of you also suffering the doldrums of another disenchanted holiday season, here’s a soulful Christmas music roundup to lift your spirits.
'Merry Christmas Baby' -- Otis Redding
'Merry Christmas Baby' is a song that is forever linked to legendary rhythm-and-blues (not R&B) artist Charles Brown, but Otis Redding brought his own take on “down-home” soul to his 1967 version of the song.
‘White Christmas’ -- The Drifters
Perhaps lead bass Bill Pinkens was signifyin’ on Bing Crosby in his opening verses to The Drifters’ 1954 version of ‘White Christmas,’ but by the time the incomparable Clyde McPhatter literally soars in with that third verse -- “I, I, I, I, I’m dreamin’ of a white Christmas …” -- it’s clear The Drifters had made the song their own. A whole new generation of folk were introduced to this version of the song when it was featured in the film ‘Home Alone.’
‘Back Door Santa’ -- Clarence Carter
Clarence Carter is as nasty as they come -- his chitlin’ circuit favorite ‘Strokin’’ is a great example. With ‘Back Door Santa’ Carter made Christmas nasty, too. Years later, Run-DMC would sample the song for ‘Christmas in Hollis.’
‘Gee Whiz It’s Christmas’ -- Carla Thomas
The daughter of Rufus Thomas (he of ‘Funky Chicken’ fame), Carla Thomas was the first lady of the Stax label. ‘Gee Whiz It’s Christmas,’ a sweet little ditty about running into a long lost love, was co-written by Thomas with Steve Cropper of Booker T. and the MGs. The song was a riff off of Thomas best-selling ‘Gee Whiz (Look at His Eyes).’
‘O Holy Night’ -- Vanessa Bell Armstrong
Arguably the most talented female gospel vocalist of the past 20 years, Vanessa Bell Armstrong brought us a sanctified Christmas on her 1990 album ‘The Truth About Christmas.’ The highlight was a God-fearing, heart-stopping rendition of ‘O Holy Night.’
‘Silent Night’ -- The Temptations
In 1970, the Temptations recorded ‘Christmas Card,’ which was one of the last albums that featured the most classic Temptations lineup. A decade later they recorded ‘Give Love on Christmas’ with Dennis Edwards, Glenn Leonard and Melvin Franklin’s booming bass giving ‘Silent Night’ a much needed Temptations update.
‘Let It Snow’ -- Boyz II Men
At the peak of their fame and artistry, Boyz II Men teamed with Brian McKnight on an original version of ‘Let it Snow’ that was penned by McKnight and Wanya Morris. The album it appeared on, ‘Christmas Interpretations,’ may be the best holiday album recorded by any contemporary R&B act.
‘At Christmas Time’ -- Luther Vandross
Years before Luther Vandross became Luther Vandross, the emerging soul singer recorded ‘At Christmas Time’ (1976). Given Vandross’ reputation as the greatest soul vocalist of his generation, that means that ‘At Christmas Time’ is indeed something special.
‘Hallelujah’ -- Handel’s Messiah
In 1992, Mervyn Warren and Quincy Jones brought together a veritable who’s who of black music to record ‘Handel’s Messiah: A Soulful Celebration.’ Included among them were Al Jarreau, Chaka Khan, Take 6, Jeffrey Osborne, Gladys Knight, Andre Crouch, Dianne Reeves, Stevie Wonder, The Boys Choir of Harlem, Vanessa Williams, as well as actors Clifton Davis, Charles S. Dutton, Phylicia Rashad and Kim Fields, many of whom appear on the album’s closing rendition of ‘The Hallelujah Chorus.’ Handel ain’t never sound so funky.
‘The Christmas Song’ -- Nat King Cole
In all honesty, you haven’t really experienced the Christmas season if you haven’t heard Nat King Cole doing his thing. Arguably Cole’s version of ‘The Christmas Song’ has surpassed even Bing Crosby’s ‘White Christmas’ as the quintessential American Christmas song.
‘This Christmas’ -- Donny Hathaway
Donny Hathaway is so deserving of the tag “genius” that it is somewhat ironic that ‘This Christmas” might be his most well known song. Nevertheless if black America has a clear-cut holiday anthem, it’s this Hathaway original. Like the man said, “Shake a hand, shake hand.”
Subscribe to:
Posts (Atom)
