Showing posts with label James Brown. Show all posts
Showing posts with label James Brown. Show all posts

Thursday, April 7, 2011

Sampling Soul--Duke University Fall 2011



Black Popular Culture—Sampling Soul (AAAS 132)
Mark Anthony Neal and 9th Wonder (Patrick Douthit)
Fall Semester 2011
White Lecture Hall 107
Tuesdays 6:00pm -- 8:25pm

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Soul Music emerged in the late 1950s and became the secular soundtrack of the Civil Rights and Black Power Movements of the 1960s and 1970s. Artists such as Aretha Franklin and James Brown and record companies such as Motown and Stax, as well as the term Soul became symbols of black aspiration and black political engagement. In the decades since the rise of Soul, the music and its icons are continuously referenced in contemporary popular culture via movie trailers, commercials, television sitcoms and of course music. In the process Soul has become a significant and lucrative cultural archive.

Co-taught with Grammy Award winning producer 9th Wonder and Duke University Professor Mark Anthony Neal, Sampling Soul will examine how the concept of Soul has functioned as raw data for contemporary forms of cultural expression. In addition the course will consider the broader cultural implications of sampling, in the practices of parody and collage, and the legal ramifications of sampling within the context of intellectual property law. The course also offers the opportunity to rethink the concept of archival material in the digital age.

Wednesday, November 28, 2007

The Genius of James Brown: A Symposium














“Ain’t that a Groove”: The Genius of James Brown
A Princeton University Two-Day Symposium

PROGRAM

Thursday, November 29, 2007
Richardson Auditorium, Princeton University

6:00pm
Welcome
Valerie Smith, Director of the Center for African American Studies

6:15pm
"James Brown: Man To Man", Concert Film Footage
courtesy of Alan Leeds and Harry Weinger

7pm-9pm
“On the One”: A Keynote Roundtable featuring Robert Christgau, Farah J. Griffin, Alan Leeds, and Fred Moten
moderator: Daphne A. Brooks

Friday, November 30, 2007
Richardson Auditorium, Princeton University

9:00am
Opening Remarks: “‘I’m Not There’: Popular Music Studies & the
Godfather of Soul”
Daphne A. Brooks

9:30-11:30am
“It’s A Man’s Man’s Man’s World”: Black Power, Black Masculinity and the Politics of Funk

Mark Anthony Neal, "In the Rhythm of Patriarchy: 'Papa Don't Take No Mess'"
Jason King, “James Brown’s Sweat”
Thomas F. DeFrantz, “My Brother, the Dance Master”
Robert Fink, “Soul Power, 1971”
Moderator: Tera W. Hunter

1:00-3:00pm
The Funky Precedent: Revolutionizing Rock, Birthing Hip Hop—Theorizing James Brown’s Musical Innovations

Kandia Crazy Horse, "The One and Only: King James' Rock Revolt"
Rickey Vincent, "James Brown and the Rhythm Revolution"
Ahmir ?uestlove Thompson, “The Roots of Hip Hop”
Harry Weinger, “Listening to James Brown”
Moderator: Joshua B. Guild

3:30-5:30pm
“Mama Don’t Take No Mess”: Black Feminist Readings of James Brown

Greg Tate, “blues and the nekkid truth--the embodied she-funks of betty davis, chaka khan, grace jones and meshell ndeocello”
Imani Perry, "Telling Him About Himself: A Feminist Reading of James Brown"
Mendi Obadike, "The Pleasure/Challenge of James Brown's Iconicity"
Ernest Hardy, "James Brown: Portal of Possibility"
Moderator: Tavia Nyong’o

5:30-6:00pm
Closing Remarks
Cornel West, Class of 1943 University Professor in the Center for African American Studies

8:30-10pm
101 McCormick Hall

Special Evening Q&A
A Conversation with legendary James Brown band members Pee Wee Ellis, Fred Wesley and Questlove of the Roots
Moderator: Alan Leeds