Black Popular Culture—Sampling Soul (AAAS 132)
Mark Anthony Neal and 9th Wonder (Patrick Douthit)
Fall Semester 2011
White Lecture Hall 107
Tuesdays 6:00pm -- 8:25pm
***
Soul Music emerged in the late 1950s and became the secular soundtrack of the Civil Rights and Black Power Movements of the 1960s and 1970s. Artists such as Aretha Franklin and James Brown and record companies such as Motown and Stax, as well as the term Soul became symbols of black aspiration and black political engagement. In the decades since the rise of Soul, the music and its icons are continuously referenced in contemporary popular culture via movie trailers, commercials, television sitcoms and of course music. In the process Soul has become a significant and lucrative cultural archive.
Co-taught with Grammy Award winning producer 9th Wonder and Duke University Professor Mark Anthony Neal, Sampling Soul will examine how the concept of Soul has functioned as raw data for contemporary forms of cultural expression. In addition the course will consider the broader cultural implications of sampling, in the practices of parody and collage, and the legal ramifications of sampling within the context of intellectual property law. The course also offers the opportunity to rethink the concept of archival material in the digital age.
Mark Anthony Neal and 9th Wonder (Patrick Douthit)
Fall Semester 2011
White Lecture Hall 107
Tuesdays 6:00pm -- 8:25pm
***
Soul Music emerged in the late 1950s and became the secular soundtrack of the Civil Rights and Black Power Movements of the 1960s and 1970s. Artists such as Aretha Franklin and James Brown and record companies such as Motown and Stax, as well as the term Soul became symbols of black aspiration and black political engagement. In the decades since the rise of Soul, the music and its icons are continuously referenced in contemporary popular culture via movie trailers, commercials, television sitcoms and of course music. In the process Soul has become a significant and lucrative cultural archive.
Co-taught with Grammy Award winning producer 9th Wonder and Duke University Professor Mark Anthony Neal, Sampling Soul will examine how the concept of Soul has functioned as raw data for contemporary forms of cultural expression. In addition the course will consider the broader cultural implications of sampling, in the practices of parody and collage, and the legal ramifications of sampling within the context of intellectual property law. The course also offers the opportunity to rethink the concept of archival material in the digital age.
No comments:
Post a Comment