Just a Little "Anti-Love Song"

from the San Francisco Chronicle

A FUNK QUEEN STEPS OUT OF THE SHADOWS
Betty Mabry Davis set the standard with her sassy '70s sound. Finally, she's getting her due.
by Jeff Chang, Special to The Chronicle

Bay Area music producer Greg Errico knows something about artist buzz. He used to drum for a band called Sly and the Family Stone. But he can't believe the hum he's hearing now about an artist he produced decades ago: the mysterious funk queen and rocker Betty Mabry Davis.

"She never had big commercial success. We did this 35 years ago. And she's been a recluse for large parts of that," he says. But at a recent National Academy of Recording Arts and Sciences function, he adds, veteran musicians were buzzing about her as if she were a brand-new sensation.

"I've got a half-dozen interview requests," he says. "We've got the Sly and the Family Stone reissues that just came out. But there's about a notch more interest in Betty."

This month, the Afroed beauty, circa '73, graces the cover of hipster music journal Wax Poetics magazine, and today, indie label Light in the Attic Records re-releases lovingly packaged versions of her first two albums, "Betty Davis" and "They Say I'm Different," both cut in San Francisco in the early '70s.

The woman once known mainly for being the former Mrs. Miles Davis is belatedly being acknowledged as one of the most influential artists of the funk era. Carlos Santana, Joi, Talib Kweli and Ice Cube have declared their fandom. Her sway over Macy Gray, Erykah Badu and Amy Winehouse is clear.

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