Showing posts with label segregation. Show all posts
Showing posts with label segregation. Show all posts

Wednesday, September 22, 2010

Apartheid in Our Schools?


from The Boston Globe

Apartheid in Our Schools
by Derrick Z. Jackson, Globe Columnist

WHEN PRESIDENT Obama took office in January 2009, the UCLA’s Civil Rights Project reported that segregation patterns in public schools “were far worse in 2006 than in 1988.’’ Eighteen months later, a new study has shown how much worse the patterns are. Diversitydata.org, supported by the Kellogg Foundation and the Harvard School of Public Health, has published figures compiled by Northeastern University researchers that found “gross levels of disparity.’’

Mocking any rhetoric about democracy and equal opportunity, the new study says children of color “continue to attend very different schools than white children.’’ That is a polite way of saying we are reverting to what the Kerner Commission Report on urban unrest found: “two societies, one black, one white — separate and unequal.’’

In Chicago, the average black student goes to a public school that is 74 percent black while the average white student goes to a school that is 6 percent black. Boston was among the 10 worst major metropolitan areas in its ratios of segregation for African-American and Latino students, and third for white students having the lowest exposure to fellow students in poverty.

Diversitydata.org found that 43 percent of both Latino and African-American students attend schools where the poverty rate is more than 80 percent. Only 4 percent of white students do. The report said, “issues of persistent high racial/ethnic segregation and high exposure of minority children to economic disadvantage at the school level remain largely unaddressed.’’

There is no surprise in these results. The drumbeat of resegregation data has played to an indifferent nation since the 1990s. The world’s richest nation remains arrogantly comfortable with a system hurtling backward toward a modern apartheid. Nothing need be done as long as families of means, who are disproportionately white, can secure K-12 educations in the suburbs and private schools, or commandeer elite public schools such as Boston Latin (which killed affirmative action years ago under the threat of lawsuits).

The most curious thing about the interval between the UCLA report and the new one is the silence from the White House. This has led to growing disenchantment from education experts. Richard Kahlenberg, senior fellow at The Century Foundation, a progressive think tank, said, “There are school districts out there that haven’t given up figuring out legal ways to integrate their schools, but they’re not getting any support from Washington.’’

Civil Rights Project director Gary Orfield said, “Obama has hired good people, but they’re not getting the job done. They’re not coming up with imaginative proposals.’’ Diversitydata.org research analyst Nancy McArdle said, “We’re not seeing the mobility strategies at either the national, state, or local levels that could break these patterns. Proven programs in Massachusetts, like Metco, keep getting cut or level funded.’’

It does not take long to realize why there is no leadership yet from Washington. Three years ago, the Supreme Court, in a bitterly divided 5-4 decision, threw out voluntary school integration plans in Seattle and Louisville. The Bush administration, which actively sought to kill affirmative action in education, jumped on the ruling and had the Education Department issue a memorandum saying it “strongly encourages the use of race-neutral methods for assigning students.’’

The memorandum made no mention of the opinion in that case of Justice Anthony Kennedy, who voted with the majority. But he also said “the problem of de facto resegregation in schooling’’ may allow districts to make a case for “avoiding racial isolation’’ with narrowly-tailored plans that include race as one component.

Education advocates hoped the Obama administration would have by now offered its own, more helpful guidance on voluntary integration programs. In an administration that feels that some racial issues are a third rail for an African-American president, this has not happened. Obama’s big education speech this summer to the Urban League made no mention of school resegregation. He talked plenty about his Race to the Top contest to fight the achievement gap, but racial desegregation is not part of that fight. Children of color continue to be exposed to disproportionate disadvantages that make the gap almost impossible to close. Until Obama publically connects the two, consider the issue “unaddressed.’’

Derrick Z. Jackson can be reached at jackson@globe.com.

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Saturday, June 5, 2010

Is America's 'Race Music' Past Hurting Janelle Monae?



How a segregated music industry makes it almost impossible for genre-busting musical talent to succeed.

by Latoya Peterson

Kitschy, socially conscious singer and songwriter Janelle Monae has all the tools for a successful debut music career--interesting and dynamic production, a melodic singing voice, an interesting look, a new dance--and one of hip-hop's heavy hitters (Big Boi, of Outkast fame) as her mentor and co-collaborator. So why hasn't her new single torn up the airwaves? Is it because the world isn't ready for Monae's tuxedoed swagger and retro-meets-R&B supersonic sound? Or is it the music industry's stubborn adherence to narrowly defined genres, coupled with monopolization of the airwaves?

As an independent artist, Janelle Monae's fresh sound may actually be her downfall. Since her music crosses conventions, a logical conclusion would be that the Atlanta-based singer/songwriter has a broad appeal. Unfortunately, thanks to a system where music is market tested and distilled down to appeal to just one demographic, ''innovating'' means ''liability.'' Our current state of musical affairs stems from America's racial past. Before euphemisms like ''urban'' took hold, music was strictly divided among racial lines--black music for black audiences, white music for white audiences. These boundaries began eroding in the 1960s, 1970s and 1980s as music consumers would twist the radio dials in search of their favorite sound. However, as racial boundaries fell, new barriers sprang into place. The music business began tightening its model for ''success.'' Instead of allowing artists to organically flourish from record to record, the industry started favoring bands that would churn out hits. And musical artistry has suffered for it.

In The Hip Hop Wars, scholar Tricia Rose discusses the commercialization of music, and the influence that consolidation has had on playlists, noting, ''Commercially established major-label acts, because of their visibility and notoriety, are easily packaged for a national audience and easily transportable across regions. Thus they dominate their genre specific playlists across the country'' (p.19). In conjunction with overall control of media shifting to just a handful of companies, this move effectively discouraged stations from taking risks with their content. While most regions have been able to hold on to a small hour or so in the daily programming to promote local music and local artists, the vast majority of airtime is dedicated to artists who have the backing of major labels, artists who fit a certain type of sound.

Most black artists who fall outside of the accepted bounds of the ''urban'' genre (which is hip-hop, R&B, and the occasional gospel tune) find themselves sidelined, unable to hear their music on the stations they love. Though breakout star Santigold toured with everyone from Jay-Z to Björk and collaborated with GZA and Res, most of her record sales and airplay have come from rock and pop stations. The Los Angeles duo, J*Davey, with their eclectic sound and rocker styling, have made waves in smaller circles but have yet to translate to mainstream play. And musical history is littered with the careers of women like Macy Gray and Kelis, who found more support for their music overseas than they ever found stateside.

Read the Full Essay @ The Root
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Thursday, February 4, 2010

All-White Basketball League: Bringing Segregation Back



All-White Basketball League: Bringing Segregation Back
by Dave Zirin & David J. Leonard
February 2, 2010

Many in the media are already apoplectic about the infamous launch of the All-American Basketball Alliance (AABA). For those untainted by the news, the AABA would be a league exclusively for native-born whites. According to its press release, "only players that are natural-born United States citizens with both parents of Caucasian race are eligible to play in the league." Citing the predominance of "street ball" within players of color, their lack of fundamentals and the overall incivility of the NBA, Don "Moose" Lewis, the commissioner of the AABA, denied that the motivation of the league had anything to do with race or racism. "There's nothing hatred about what we're doing. I don't hate anyone of color. But people of white, American-born citizens are in the minority now. Here's a league for white players to play fundamental basketball, which they like," he argued. "Would you want to go to the game and worry about a player flipping you off or attacking you in the stands or grabbing their crotch? That's the culture today, and in a free country we should have the right to move ourselves in a better direction."

The proposed all-white league has pushed all the expected buttons, exponentially adding attention to its slimy venture. Vowing to "Stop All-White Basketball Team," the Atlanta Branch of the NAACP described the AABA as an attempt "to set back what we've been trying to do for 100 years." Charles Barkley expressed similar outrage: "It's just blatantly racist if you look at the code words used. I don't take it seriously, but it just lets you know there's definitely blatant racism out there.... It lets you know, as a black man, there are people out there who don't like you." Others were aghast at the mainstreaming of this kind of ugly bigotry. As Scott Michaux, a columnist at the Augusta Chronicle, said, "sixty-two years after the Dixiecrats dissolved, forty-nine years after the last Caucasian-only clause was stricken from American sports, forty-two years after King was assassinated and just more than a year after we elected our first black president, I hoped this kind of ignorance might be on the wane."

Read the Full Essay @ The Nation

***

About Dave Zirin

Dave Zirin is The Nation's sports editor. He is the author of Welcome to the Terrordome: the Pain Politics and Promise of Sports (Haymarket) and A People's History of Sports in the United States (The New Press). His writing has appeared in the Los Angeles Times, Sports Illustrated.com and The Progressive. He is the host of Sirius/XM's Edge of Sports Radio.

About David J. Leonard

David J. Leonard is an associate professor in the Department of Comparative Ethnic Studies at Washington State University. His next book (SUNY Press) is on the NBA after the November 2004 brawl during a Pacers-Pistons game at the The Palace of Auburn Hills (Michigan).

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Sunday, January 24, 2010

Edgecombe Avenue, Harlem, NY



In Sugar Hill, a Street Nurtured Black Talent When the World Wouldn’t
by David Gonzalez

New York is a city of blocks, each with its own history, customs and characters. Yet from these small stages spring large talents. Anyone who doubts that need look no further than a stretch of Edgecombe Avenue perched on a bluff near 155th Street.

It was part of Sugar Hill, the neighborhood of choice for elegant black musicians, dapper actors, successful professionals — and those who aspired to be like them.

A red-brick tower at 409 Edgecombe was home to Thurgood Marshall, W. E. B. DuBois and Aaron Douglas, who has been called “the father of black American art.”

A few blocks farther north, the building at 555 Edgecombe burst with musical talent: Count Basie, Duke Ellington, Coleman Hawkins, Lena Horne and others. Right before and after World War II, when discrimination and segregation were commonplace, young people in Sugar Hill saw success stride by on the streets where they played tag and stickball.

The son of a taxi mechanic, Roy Eaton was a childhood piano prodigy who became a trailblazer in advertising. His friends on the block included the artist and writer Faith Ringgold; Cecelia Hodges, a Princeton professor and actress; and Sonny Rollins, the “saxophone Colossus,” who is still touring.

Many of them came from Depression-era families who were short on cash but long on dreams, managing to scrimp for music lessons or art supplies. And they lived in a community where neighbors and churches offered encouragement amid rampant racial discrimination.

“It was like our place to dream the impossible dream,” Mr. Eaton said. “It gave me a sense of, you might call it entitlement or unlimited possibilities — that nothing could stop me from doing what I felt I could do.”

A few doors down from where Mr. Eaton grew up, Cecelia Hodges reveled in the joys of reading. She had gotten the bug from her parents, West Indian immigrants who moved to Edgecombe Avenue from farther south in Harlem so she could attend better schools. Before she started first grade, her father found out the books she would use and read them with her.

She eventually skipped three grades.

Yet it was at home and in the neighborhood that her education was rounded out. Like her friend Roy, she attended St. James Presbyterian Church, participating in pageants and singing in choirs. It was the kind of church where pride was reaffirmed — the choirs, for example, were named after black composers — and dignity defended.

Read the Full Article in The New York Times

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