Duke University professor Ebrahim Moosa says the role of Islam in the Arab uprisings is still being worked out.
Showing posts with label islam. Show all posts
Showing posts with label islam. Show all posts
Wednesday, February 2, 2011
Friday, July 3, 2009
Bakari Kitwana on "New Muslim Cool"
New Muslim Cool Forges Path for New America
by Bakari Kitwana
New Muslim Cool comes at a time when daily we observe in our national culture old-guard gatekeepers (can you say Dick Cheney?) who work tirelessly to impose on the younger generation a shared American identity that is dated, simple, and in white and black. The magic of Jennifer Maytorena Taylor's important new film, which recently aired on PBS, is found in its ability to provide a bird's eye view of a freshly minted generation of Americans. Fighting against being defined by America's bygone eras, New Muslim Cool points us toward a more complicated future.
It's a journey full of collisions -- mainly because the very act of shining a spotlight on the ways race, politics, religion and generational rifts have evolved, something that Taylor does quite well, is a process that slowly gleans viewers from the self-identity America has for decades projected as status quo to the world. Welcome to a nation at the crossroads between old and new.
Thank goodness, this is the story of the new America that is unfolding -- the one that young Americans across traditional divides are claiming every day as their own.
Enter Hamza Perez. The film traces the ups and downs in the life of this northeastern seaboard urban native who is transplanted to post-industrial Pittsburgh for a new start, just as the US is on the verge of the most significant economic decline since the Great Depression. Perez, a Puerto Rican American hip-hop artist, is also Muslim. His conversion from Catholicism brings him face-to-face with what freedom of religion looks like in the throes of the war on terror. (One of the film's high points is an unprovoked and unjustified FBI raid on Perez's mosque.)
Absent of his other identities, Perez's story is incomplete: A street hustler turned anti-drug counselor; a father embarking on a second marriage; a young man struggling to find a workable definition of masculinity; an unsigned hip-hop artist for whom hip-hop culture provides both the foundation for his anti-drug advocacy and a medium through which he projects his new faith.
The film is most powerful when it meets all of these varying and sometimes overlapping identities head-on. It does this best when embracing the complexities of the three-part axis on which New Muslim Cool turns.
Read the Full Essay @ THE HUFFINGTON POST
***
Bakari Kitwana is a journalist and political analyst whose commentary on politics and youth culture have been seen on major media outlets including CNN, FOX News and NPR. Kitwana is co-founder of the first ever National Hip-Hop Political Convention and the author of several books including, The Hip-Hop Generation: Young Blacks and the Crisis in African American Culture.
by Bakari Kitwana
New Muslim Cool comes at a time when daily we observe in our national culture old-guard gatekeepers (can you say Dick Cheney?) who work tirelessly to impose on the younger generation a shared American identity that is dated, simple, and in white and black. The magic of Jennifer Maytorena Taylor's important new film, which recently aired on PBS, is found in its ability to provide a bird's eye view of a freshly minted generation of Americans. Fighting against being defined by America's bygone eras, New Muslim Cool points us toward a more complicated future.
It's a journey full of collisions -- mainly because the very act of shining a spotlight on the ways race, politics, religion and generational rifts have evolved, something that Taylor does quite well, is a process that slowly gleans viewers from the self-identity America has for decades projected as status quo to the world. Welcome to a nation at the crossroads between old and new.
Thank goodness, this is the story of the new America that is unfolding -- the one that young Americans across traditional divides are claiming every day as their own.
Enter Hamza Perez. The film traces the ups and downs in the life of this northeastern seaboard urban native who is transplanted to post-industrial Pittsburgh for a new start, just as the US is on the verge of the most significant economic decline since the Great Depression. Perez, a Puerto Rican American hip-hop artist, is also Muslim. His conversion from Catholicism brings him face-to-face with what freedom of religion looks like in the throes of the war on terror. (One of the film's high points is an unprovoked and unjustified FBI raid on Perez's mosque.)
Absent of his other identities, Perez's story is incomplete: A street hustler turned anti-drug counselor; a father embarking on a second marriage; a young man struggling to find a workable definition of masculinity; an unsigned hip-hop artist for whom hip-hop culture provides both the foundation for his anti-drug advocacy and a medium through which he projects his new faith.
The film is most powerful when it meets all of these varying and sometimes overlapping identities head-on. It does this best when embracing the complexities of the three-part axis on which New Muslim Cool turns.
Read the Full Essay @ THE HUFFINGTON POST
***
Bakari Kitwana is a journalist and political analyst whose commentary on politics and youth culture have been seen on major media outlets including CNN, FOX News and NPR. Kitwana is co-founder of the first ever National Hip-Hop Political Convention and the author of several books including, The Hip-Hop Generation: Young Blacks and the Crisis in African American Culture.
Tuesday, June 23, 2009
New Muslim Cool
An Intimate Look at Hip-Hop’s Jihad
by Suad Abdul Khabeer
Real hip-hop heads know that Islam and hip-hop have been longtime friends, feeding off each other’s energy. Muslim ideals of self-respect and social change have inspired some of the greatest emcees, and hip-hop is giving voice to the dreams and daily struggles of a generation of Muslims. This cross-pollination between Islam and hip-hop is vividly illustrated in a new documentary, New Muslim Cool, which premieres tonight on PBS.
Directed by veteran filmmaker Jennifer Maytorena Taylor, New Muslim Cool chronicles three years in the life of Hamza "Jason" Perez, a Puerto Rican Muslim, family man, emcee, interfaith prison chaplain and social activist.
So why is Hamza’s story called the New Muslim Cool? Because he is part of a generation of young Muslims who are coming of age in a post-9/11 America. They are tackling questions of race, faith, freedom and even, as Hamza does, questionable intrusions by the FBI. They unapologetically choose God and country; they are doing American Islam with style.
Read the Full Essay @ The Root
by Suad Abdul Khabeer
Real hip-hop heads know that Islam and hip-hop have been longtime friends, feeding off each other’s energy. Muslim ideals of self-respect and social change have inspired some of the greatest emcees, and hip-hop is giving voice to the dreams and daily struggles of a generation of Muslims. This cross-pollination between Islam and hip-hop is vividly illustrated in a new documentary, New Muslim Cool, which premieres tonight on PBS.
Directed by veteran filmmaker Jennifer Maytorena Taylor, New Muslim Cool chronicles three years in the life of Hamza "Jason" Perez, a Puerto Rican Muslim, family man, emcee, interfaith prison chaplain and social activist.
So why is Hamza’s story called the New Muslim Cool? Because he is part of a generation of young Muslims who are coming of age in a post-9/11 America. They are tackling questions of race, faith, freedom and even, as Hamza does, questionable intrusions by the FBI. They unapologetically choose God and country; they are doing American Islam with style.
Read the Full Essay @ The Root
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