Showing posts with label dress code. Show all posts
Showing posts with label dress code. Show all posts

Monday, October 25, 2010

'Left of Black': Episode #6 featuring James Braxton Peterson and Rashod Ollison



Left of Black host and Duke University Professor Mark Anthony Neal is joined by Bucknell University Professor James Braxton Peterson in a discussion of the legacy of the Million Man March, The Morehouse College dress code, homophobia and bullying, and Hip-Hop Masculinity.

Neal also talks with former Baltimore Sun music critic and current pop culture critic for The Virginian Pilot and Jet Magazine about the current state of R&B Music and the career of Prince.

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Wednesday, October 13, 2010

Pumps, Lipstick & Swagger: Gender & Sexuality at Morehouse



Pumps, Lipstick & Swagger: Gender & Sexuality at Morehouse
by Stephane Dunn | TheLoop21

I realized I’d walked into an unusual hot, personal debate soon as I approached my 1:00 p.m. afternoon class. I hardly cleared the door before my excited students begin practically yelling at me indignantly, "Have you seen it? You see how they representin’ us?" “It” was a new story in a former iconic outlet of hip-hop journalism, Vibe magazine.
Can a man of Morehouse be gay? Absolutely. But can he be a woman? Meet the plastics.
That’s one of the leading lines in the latest, almost infamous expose on Morehouse College’s gay and cross dressing “subgroups.” It immediately made my blood pressure rise. I am a woman, who works and walks around campus whose professor status and sometimes deceptive appearance grant me a degree of invisibility. Words like “bitch” are not rare in the passing conversations of men in reference to some of the Daisy Duke wearing women they see or in general reference to the Spelman women across the way.

Just yesterday, I overheard two students having a familiar conversation about the wayward, materialistic, cunning ways of these “hoes” out here. Other times, I’ve seen young men shoot a killing look at some high heel wearing, sashaying fellow diva student or even heard them mutter "faggot"—loudly, as if the very sight was a personal affront.

So I immediately thought that the opening tagline [of the Vibe article] absolutely personifies what’s wrong with not only this sensationalist story, but with too many of the recent public discussions regarding issues of sexuality within African American communities.

Read the Full Essay @ theLoop21.com

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Friday, November 13, 2009

Psst! Morehouse men — pull your pants up!



Psst! Morehouse men — pull your pants up!
by Stephane Dunn

I must admit, I had lofty expectations of Morehouse College when I began teaching here two years ago. After all, this was the house that such social and intellectual giants as Benjamin Davis and James Brawley built and that superstar students like Dr. Martin Luther King Jr. solidified. The college’s mystique — as the only historically black male college — made me darn near skip into my interview and later into those first few classes.

I had visions of suits, bow ties, yes ma’ams and staggering displays of intellectual brilliance dancing in my head. Before too long, however, reality tempered the mystique, and I was forced to see that a legacy of social and cultural distinction and intellectual achievement is merely a sleeping history unless it continues to thrive in a contemporary version.

The newly implemented “no sagging” dress code with respect to men’s pants is an attempt to do just that.

The code raises obvious questions about individual freedom. Its inclusion of a very traditional script for male style — like no pumps and purses for men — will inevitably elevate the debate and criticism both inside and outside Morehouse. As I’ve walked to and from classes, I’ve often laughed aloud over how much my students resemble the public high school kids that I’d decided might be too much to deal with every day. Rather than being both disciplinarian and etiquette teacher, I thought I’d be a professor primarily engaged in my students’ academic and professional potential.

Instead, there is rarely a day when I’m not reluctantly forced to view the backside of students and worry for the millionth time that I will not make it up the stairway before the loose, bright red shorts shouting out from pants already bound for the floor completely fall off the oblivious student in front of me. It’s like being forced to peep when you absolutely don’t want to.

Usually, after mustering a reluctant, “Excuse me,” I implore the young man to “pull them up please” or jokingly say, “I’m sure you’re not trying to flash anybody.” In class, teaching is punctuated by commands to “pull those pants up, Mr. So-and-So — can’t you feel those pants falling lower and lower?” and trying to wheedle some sleeping or shy student out from his hiding place under a cap. Even if the written rules of the class include no hats in class, I’m inevitably forced to admonish, “Hat, please.”

During these moments of playing dress etiquette police, I’m uneasy and resentful. I’m forced to be their “mama” instead of an accepted and serious sister-professor.

Read the Full Essay @ the Atlanta Journal-Constitution

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Stephane Dunn, an assistant professor in the English Department at Morehouse College, is the author of “Baad Bitches & Sassy Supermamas: Black Power Action Films.”


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Wednesday, October 21, 2009

Issues Beyond the Morehouse College Dress Code



Morehouse’s Crossroads Has Nothing To Do With ‘Ghetto Gear’ or Cross-Dressing
by Frank Leon Roberts

The conversation regarding the new dress-code policy at Morehouse College has been hijacked by a vociferous gang of socially conservative black pundits: some of them simply politically misguided, others merely proud homophobes; a few of them the ideological love-children of Ward Connerly and Bill Cosby. In the short week and a half since I became the first writer to report the news of Morehouse’s new policy, the college has become the subject of an intensifying national debate regarding the role that style plays in producing (or constraining) black male substance.

By now, there is no need to explain what went “down” at Morehouse. You already know. But while you may have already heard the details of Morehouse’s new “no grills or purses” policy, it’s quite possible that you have yet to hear an impassioned defense of grillz and purses in the spirit of Morehouse’s most illustrious progenitors.

There are those who have argued that it is inappropriate to incite a national public dialogue about what’s happening at a private, independently funded college. In the blogosphere, there have been comments in recent days such as “What goes on at Morehouse is a private affair between its students, alumni and administrators. There is nothing illegal about a private school enforcing a dress code. Any student who is unhappy with the dress code has the liberty to leave.”

These voices are misguided and unsophisticated. Morehouse College is much more than simply a “private institution;” it is a black cultural pillar. In other words, the institution we call “Morehouse” is quite similar to the institution we call “the black church.” One does not have to be a member of these institutions in order to be affected by what goes on within their walls. Given Morehouse’s stature as a historical pillar, all African-American men (not just those who are students or alumni of the institution) have an ethical obligation to contribute to this national dialogue about the politics of the college’s policies—especially in instances where it promotes a climate of rampant anti-ghetto-culture classism and femiphobia.

Read the Full Essay @ The Root.com

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Sunday, October 11, 2009

Frank Leon Roberts: On Morehouse College's New Dress Code Policy



Beyond the Trope of Black Masculine Respectability:
Notes on Morehouse College's New Dress Code Policy
by Frank Leon Roberts

Like many graduate students, I suffer from a serious “cant-get-any-work-done-in-my-apartment” syndrome. Try as I may, each time I sit down to write an article or dissertation chapter, I find myself having to venture out of my apartment and into a more open, public setting (libraries or cafes work well for me).

So there was nothing unusual about my decision today to pack up my laptop and head over to Morehouse College’s Jazzmen CafĂ© to work on my dissertation amidst a comfortable climate of Pumpkin Lattes and innocently-arrogant Kappa Alpha Psi undergraduates. At 6’clk, after I had managed to spend three hours working, I decided to grab a bite to eat at Morehouse’s Cafeteria.

As I paid my $6 Non-Morehouse student fee to enter the cafeteria, I was told that in order to enter I would need to remove my red, fitted-baseball cap. “Uhm…ok” I thought to myself. It seemed a bit strange to me that baseball hats would be prohibited in a stinky, old cafeteria lounge, but hey, then again this was Morehouse College, an institution hell-bent on promoting images of black middle class respectability and propriety.

I didn’t think anything of the no-red-fitted-caps-in-the-cafeteria policy until I glanced over at a headline from the October 6th Issue of The Maroon Tiger (Morehouse’s 84 year old student newspaper). “Administration Announces New Attire Policy.”

Immediately, I dropped my spoon in the stale cafeteria macaroni.

Read the Full Essay @ BrooklynBoyBlues

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