Showing posts with label Los Angeles. Show all posts
Showing posts with label Los Angeles. Show all posts

Monday, February 14, 2011

LOS ANGELES: Hate On Valentine's Day


special to NewBlackMan

LOS ANGELES: Hate On Valentine's Day
by Kevin Powell

Those of you who know me or my work know that I am anti- all forms of hatred and bigotry, be it racism, anti-Semitism, sexism, classism, homophobia, religious intolerance, or a reckless disregard for the disabled or handicapped. That at this stage in my life, and for the rest of my life, I am a firm believer in nonviolence, love, and forgiveness, even of those who have wronged us in some way. That, as evidenced by my life journey as an activist, writer, and public speaker, I truly do love all people. And mean it—

Nor do I believe in ever viewing myself solely as a victim these days, either, because of my race, or my past class background of poverty. I am with bringing people together, with our communicating with each other through our differences, with our healing that which separates us due to our differences, whenever and however possible.

So it takes a lot for me to write a blog asking people not to support a business. But in the early morning of February 14, 2011, after leaving an amazing post-Grammy party with two female friends, we waited for the available shuttle service to get us from the top of the canyon to the middle of it where we and other party attendees had to park our vehicles.

We remembered the long walk from there to the event and opted to use the shuttle service one of the security personnel suggested we wait for. We were under the assumption the shuttle van would take us and other passengers to wherever our cars were parked along the canyon route. Instead the driver, a very young man, did not announce until the van was in motion that he would not stop until we were at the Beverly Hilton Hotel (fyi, I am not staying at that hotel, but one in West Hollywood). This meant many of the passengers, including the three of us, would have to pay for taxis to get to our cars back in the canyon.

When we got to the hotel's parking lot, we asked the driver if he could take us back up the hill, since he was returning to get more passengers anyhow, so we could retrieve our car. He refused. I attempted to reason with the driver but he would not budge. At that moment a tall (about six feet two inches) man, with thick jet-black hair combed backwards and wearing all black, stepped to the shuttle van's driver's door, spoke in a language I did not understand, then rudely told the two women and I that he was the owner of the company, that we had to get out of the van, that there would be no ride back up the canyon route. I attempted to explain our situation to this gentleman, who said he was the owner of the company, but he cut me off repeatedly, and threatened to physically remove and harm me if I did not get out. Not once did I raise my voice, curse, or disrespect this man in any way. He went a step further, coming around to the passenger side once the women were already out, saying that I "should go back to the jungle" (a reference to one of L.A.'s poorest and most violent communities of color), that he didn't like my people, and that he was a real African (I would learn later the man is from Tunisia, the northernmost country in Africa and is essentially an African Arab). It did not matter who or what I was, not that I am into status or anything of the sort. But it was clear this man had a deep disdain for Black people, and he had immediately reduced me, in his mind, to the worst imaginable stereotypes without even so much as allowing me to complete a full sentence.

Thus in the matter of just a couple of minutes I was physically threatened and racially insulted a few times as my women friends witnessed very clearly. Still, no raising of my voice, cursing, or disrespect towards this man. I told him I was going to call the police to deal with this matter and his hyper-masculine attitude kicked in with the response "I don't care, call them." So I did. And about 15 minutes later two Los Angeles-area officers, a female cop and a male cop, and I were walking from the lobby of the Beverly Hills Hilton to the parking lot to have a talk with this gentleman. I did this because I wanted to obtain, with the help of the officers, his name and the name of his company:


Moncef Said Abbou
President, M&S Valet Parking
Los Angeles, CA
www.msvaletparking.com


And because it was my hope that with the police officers there as mediators, I would not need to file a complaint or write a blog, even. But Mr. Abbou could barely contain his venom and arrogance even in the presence of the police officers: he lied to the male cop who pulled him aside about what happened, and walked away and returned to his car when the officers asked him to listen to what I had to say one final time. This from an individual who runs a business that is completely dependent on its interactions with other human beings. And this behavior to a person, me, who will always have a need to hire or refer companies like his, since I do business in Los Angeles, which is quite a bit.

According to its company website, M&S Valet Parking provides these services: parking management, valet parking services, and shuttle service. And its very prominent quote reads

"We pride ourselves on upholding the highest standards of customer service and efficiency."

Yet even with the police present the man was rude, because he knew the police could not do anything to him other than say I could file a civil complaint against his business. And I can tell people like you, who frequently rent or lease these types of companies in Los Angeles (or know people and companies who do) that you should not support such a company or its owner any further. I am not seeking nor want an apology. And I’ve already forgiven the man in my mind and heart. But if he talked to me in this manner, imagine how many past, or future, passengers have experienced similar behavior from this gentleman because of his bigotry and lack of humanity.

Furthermore, as you can see, I am writing this piece in the wee hours of the morning, because the incident occurred around 4AM PST.

So I have not gotten to sleep as yet. But I feel very strongly that people who express this kind of hatred toward another human being should be exposed and their businesses should not be supported. I happen to be a writer, a public speaker, and a very well-connected political person, so I have a platform. But imagine the people who do not.

And outside my hometown of New York City, Los Angeles is one of the most culturally diverse communities in America. Like every other American city I know L.A. has its share of racial divides and prejudices, in spite of its great multiculturalism, and it is, like New York, still very segregated in many ways. But I think the least we can expect after a Los Angeles-Hollywood awards ceremony such as the Grammys, where people from varied backgrounds perform and are honored (with the Grammys creatively connecting artists who usually do not share the same stage), is a basic level of respect and civility by companies shuttling us from one place to another.

This incident is especially ironic for me for a few reasons. One, long before the party my day had begun with my very first visit to Los Angeles’ Agape International Spiritual Center, a church, led by the brilliant Rev. Michael Beckwith, famous for its message of love, inclusion, and diversity. And that is exactly what I received from the service on this day, and from a short private meeting with Rev. Beckwith afterwards. Indeed, he talked about people like me, who he calls “social ministers,” who must have consistent spiritual paths given all the slings and arrows we deal with in our daily interactions with people, as activists, as community leaders, as agents for change.

I thought of Dr. Beckwith and Agape, for sure, as Mr. Abbou was insulting me inside and outside of his van. I thought, in a very quick instance, all I had to lose if I responded with the same kind of ugliness being hurled my way. I thought of Egypt, another nation with African Arabs, one where Mr. Abbou could have easily been from, and one that many Americans, including Black Americans, are very much supporting at this time of change. And I thought, later, how what transpired between Mr. Abbou and I is so remarkably similar to what far too many Black males, myself included, have experienced from Middle Eastern or African Arab cab, car, and shuttle drivers in my beloved New York City. That is the reason, in fact, so many years ago, I made a conscious decision to rarely take yellow cabs in New York, to just roll with private car service when necessary, because who is going to tolerate being humiliated, disrespected, lied to and lied on, simply because of someone else’s fear and ignorance? Suffice to say, I will never use a shuttle service in Los Angeles again—

And this sort of thing will go on if we allow it to go on, if we do not use our individual and collective voices to say enough, once and for all, and to say, loudly, ain’t I a human, too?

***

Kevin Powell is a nationally acclaimed public speaker, activist, and the award-winning author or editor of 10 books. He resides in New York City, the borough of Brooklyn, and was a 2010 Democratic candidate for Congress there. Follow him on Twitter @kevin_powell

Thursday, December 23, 2010

Do we need a body count to count?: Notes on the serial murders of Black women



Do we need a body count to count?:
Notes on the serial murders of Black women
by The Crunk Feminist Collective

Debra Jackson. Click. Henrietta Wright. Click. Barbara Ware. Click. These are some names of Black women who were sexually assaulted, drugged, murdered, and dumped in LA alleys and the backstreets by a former city trash collector. As news broke about a serial killer dubbed the Grim Sleeper, I found myself at the computer clicking on the still images of 180 nameless, numbered Black women and girls published by the LA Times. I sat with each photo picturing each life—and remembering the life of my aunt who was murdered years ago.

For women who are poor, who are Black, who are substance abusers, who are single/mothers, who are sex workers, and for women who possess no Olan Mills yearbook portrait like that of Natalee Holloway, how do we make sense of their lives? Do we see them?

Read the Full Essay @ The Crunk Feminist Collective

Monday, June 14, 2010

The Jackson 5--Live at the Forum


from Hip-O-Select


SITE PRE-SALE DATE: 5/21/2010

SITE SHIP DATE: 6/11/2010

LIMITED EDITION QUANTITY: 8000


The Jackson 5: Live At The Forum is a new 2-CD set that uncovers an amazing chapter from the phenomenal career of Michael Jackson and his brothers in the J5: their extraordinary performances from the Los Angeles Forum, recorded in June 1970 and August 1972—the first at the start of their rapid ascent to stardom, the second when they became established icons. These brilliant shows have not been released in any form until now, the 40th anniversary of the 1970 show.

Live At The Forum features earth-shaking live performances of the group’s best-known hits – “I Want You Back,” “ABC,” “The Love You Save,” “I’ll Be There,” “Never Can Say Goodbye” and more. Single B-sides “I Found That Girl” and “I’m So Happy” and such surprises as album cuts “Bridge Over Troubled Water” and “Zip A Dee Do Dah,” plus songs not released by the J5 at the time, including covers of James Brown’s “There Was a Time” and the Isley Brothers’ “It’s Your Thing,” are part of the shows. The 1972 show also features a full, fantastic set of Michael’s solo hits, including “Got To Be There” and “Ben,” his brand new single at the time, as well as a solo spot by Jermaine.

Disc 1 includes the Forum show recorded June 20, 1970, when the group broke existing box office records at the venue. The J5, with three consecutive No. 1 hits, were on their first national tour, and the show is a unique document of the growing “Jacksonmania” gripping the globe. You can hear their delight in performing; their talent and rapport is phenomenal. In a sweet moment also captured on tape, 11-year-old Michael pays tribute to Diana Ross, who’s in the audience.

Disc 2 was recorded August 26, 1972, just three days before Michael’s 14th birthday. It’s practically a greatest hits show, with every major track by the group, and solo Michael and Jermaine, up to that point. Of particular note on both discs is the band performance: the group’s vocals are backed simply and forcefully by Jermaine on bass, Tito on guitar, Ronnie Rancifer on keyboards and Johnny Jackson on drums.

Each disc includes a bonus track: an unreleased full live version of “Mama’s Pearl,” from the concert that became part of the 1971 TV special Goin’ Back To Indiana, closes Disc 1; “I Wanna Be Where You Are,” from the soundtrack album to Save The Children, makes its CD debut at the end of Disc 2.

Live At The Forum is housed in a collector’s digi-pak with rare photos, collectable postcards of the individual J5 brothers, and insightful liner notes by Duke University professor, author and unabashed J5 fan Mark Anthony Neal.

Disc 1 – June 20, 1970
1. Introduction
2. I Want You Back
3. Feelin’ Alright
4. Who’s Lovin’ You
5. Walk On
6. Don’t Know Why I Love You
7. Zip-A-Dee-Doo-Dah
8. ABC
9. It’s Your Thing
10. I Found That Girl
11. There Was A Time
12. Thank You Falettinme Be Mice Elf Again
13. The Love You Save
14. Mama’s Pearl Live in Indiana (Bonus Track)

Disc 2 – August 26, 1972
1. Brand New Thing
2. Medley: I Want You Back/ABC/Mama’s Pearl
3. Sugar Daddy
4. I’ll Be There
5. Introduction by Michael
6. Goin’ Back to Indiana/Brand New Thing/Goin’ Back to Indiana
7. Bridge Over Troubled Water
8. I Found That Girl
9. I’m So Happy
10. Lookin’ Through The Windows
11. Ain’t Nothing Like The Real Thing
12. Introduction by Jackie
13. Ben
14. Rockin’ Robin
15. Got To Be There
16. You’ve Got A Friend
17. Ain’t No Sunshine
18. I Wanna Be Where You Are
19. Introduction by Jermaine
20. That’s How Love Goes
21. Never Can Say Goodbye
22. Walk On
23. The Love You Save
24. I Wanna Be Where You Are from “Save The Children” (Bonus Track)

Bookmark and Share

Friday, May 28, 2010

'Bush Mama' as a Deconstructive Narrative



by Cyrus Fard

In the 1976 film Bush Mama, Ethiopian director Haile Gerima explores the struggles and oppression that African-Americans face living in the ghettos of Southern California. Centered on a black female welfare-recipient and her broken family living in the Watts neighborhood, the film offers a raw perspective not typically glimpsed among the tendency of mainstream narratives to leave questions of class, race and gender inequalities unaddressed. By daring to raise these issues, Bush Mama functions as a powerful polemic, challenging the values of some of the dominant ideologies perpetuated by white hetero-normative standards. As the film progresses and the audience comes to understand the hopelessness of the poor black experience as it is presented here, the film reveals a view of structural and institutional oppression by state powers that becomes increasingly apparent as Dorothy, pregnant and poor at the start of the film, begins an even greater descent that ends with her in jail for murdering a police officer who attempted to rape her daughter.

Arriving in the second half of the 1970s, Bush Mama stands as an oppositional force to the dominant narrative ideology that pushes forth negative views of black women, the black women on welfare in particular. Furthermore, the film not only successfully deconstructs such normalized beliefs as white dominance as a naturally occurring phenomenon and patriarchy as the accepted hierarchy, but also the very notion that every individual controls their own destiny.

Rather than following a more common cinematic strategy of emphasizing the power, or lack thereof, of the individual, Bush Mama utilizes a few select characters as a means of standing in for the collective mass of blacks in Watts. “Individual” is a term used negatively by African-American studies researcher Wahneema Lubiano, who argues that, “individuals are always wrapped in larger world narrative contexts. The problem with constructions of mythic individualism is that their ties to power go unnoted.” This is important to consider in relation to the film because Dorothy’s narrative trajectory does not follow the path that most narratives (as defined by Tzvetan Todorov’s narrative theory) take of equilibrium, disequilibrium, equilibrium (restored). Instead, from start to finish Dorothy is trapped in a world where moments of peace are rare amidst a constant struggle to keep afloat in a dire economic situation. She is not alone in this struggle, as the film shows many blacks (both female and male) experiencing the similar problems of waiting in the unemployment line, living through poverty and being harassed by police. This stands in stark contrast to the tendency of mainstream narratives to offer audiences exposition, conflict, closure and other means of aligning the story up with the audience’s ideological expectations. Instead, Bush Mama’s path is one of conflict, conflict, and more conflict, presented matter-of-factly and never in a typically melodramatic fashion.

Read the Full Essay @ Popmatters

Bookmark and Share