Showing posts with label Chicago Foundation for Women. Show all posts
Showing posts with label Chicago Foundation for Women. Show all posts

Thursday, May 28, 2009

Recognizing the Foundation


The Ascent of Hip-Hop
A historical, cultural, and aesthetic study of b-boying
By Adam Mansbach

Review of FOUNDATION:
B-Boys, B-Girls, and Hip-Hop Culture in New York

By Joseph G. Schloss
Oxford University, 176 pp., illustrated, $19.55


Schloss's book is a major contribution to a new school of hip-hop scholarship, one whose aesthetic and political engagement transcends the simplistic attack/defend paradigm that has plagued the public discourse for so long. "It is not enough to simply say that hip-hop is a complex and sophisticated cultural tradition," he writes. "We must demonstrate it." For a compelling and under-examined art form, "Foundation" does just that.
Read the Full Review @ The Boston Globe

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Adam Mansbach is the author of The End of the Jews winner of the California Book Award

Tuesday, March 17, 2009

Natalie Y. Moore on Race & Suicide


From The Root

Who Was Leanita McClain?
by Natalie Y. Moore

Why an old Chicago story of race, reporting and suicide remains important today.

Years ago, I sat in my public-policy journalism class when a professor circulated a 25-year-old essay that ran in the Washington Post. None of my mostly white peers could read beyond the provocative headline: “How Chicago Taught Me to Hate Whites.”

Only I, the lone black student in the classroom at Northwestern in the late 1990s, defended the writer, Chicago journalist Leanita McClain, who had also graduated from our program. A racist, my classmates called her. She’s so angry, they remarked as they screwed their faces.

McClain, then an editorial writer for the Chicago Tribune, was describing her reactions to the 1983 mayoral race in which Harold Washington emerged as Chicago’s first black mayor. In response to Washington’s victory—just as in the more recent case of a Chicago politician elected “the first”—euphoria had swept over the city as it made history. Initially.

It wasn’t long, though, before embittered white Chicagoans started a racial backlash. In the Washington Post essay, McClain voiced her reaction to the swift and sudden fall from kumbaya: “So many whites unconsciously had never considered that blacks could do much of anything, least of all get a black candidate this close to being mayor of Chicago,” she wrote. “My colleagues looked up and realized, perhaps for the first time, that I was one of ‘them.’ I was suddenly threatening.”

She continued: “Bitter am I? That is mild. This affair has cemented my journalist’s acquired cynicism, robbing me of most of my innate black hope for true integration. It has made me sparkle as I reveled in the comradeship of blackness. It has banished me to nightmarish bouts of sullenness.”

The sullenness and cynicism that McClain expressed were apparently unshakeable. She killed herself in May 1984, less than a year after the controversial Post essay was published. She was 32 years old.

Twenty five years later, Chicago is still a place of de facto segregation, despite the sea of change represented by the election of Barack Obama. I am the same age that McClain was when she wrote that essay working as a black journalist in Chicago. Thankfully, I haven’t experienced the kind of backlash she described. But in many ways, the segregated picture she painted isn’t much different today.

Read the Full Essay HERE