Wednesday, June 8, 2011
Remembering Geronimo Pratt
Wednesday, June 1, 2011
Rap Sessions: From Precious II For Colored Girls: The Digital Highlight Reel
Thursday, May 26, 2011
Conservatives, Hip-Hop and 2012
Saturday, May 7, 2011
From Precious II For Colored Girls: The Black Image in the American Mind
Tuesday, May 3, 2011
Was Bin Laden’s Assassination Illegal? Bakari Kitwana Talks with Vijay Prashad
Listen Here
Sunday, April 24, 2011
Rap Sessions Community Dialogue From Precious II For Colored Girls @ Columbia College | April 26, 2011
Community Dialogue From Precious II For Colored Girls:
- Elizabeth Méndez Berry (journalist and author of The Obama Generation, Revisited, featured in The Nation)
- John Jennings (Professor of Visual Studies at SUNY Buffalo, and co-author of Black Comix: African American Independent Comix and Culture)
- Joan Morgan (journalist, cultural critic, and author of When Chickenheads Come Home to Roost)
- Mark Anthony Neal (Professor of Black Popular Culture at Duke University, and author of New Black Man)
- Vijay Prashad (Director of International Studies at Trinity College, and author of The Darker Nations: A People’s History of The Third World)
Monday, March 21, 2011
Rap Sessions: Nicki Minaj And Images Of Black Women In Media

Rap Sessions: Nicki Minaj And Images Of Black Women In Media
Bakari Kitwana interviews Mark Anthony Neal about the Nicki Minaj’s recent appearance on Saturday Night Live as “The Bride of Blackenstein,” which interestingly generated very little serious media critique.
Listen Here
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Bakari Kitwana is CEO of Rap Sessions, Editor at Large of Newsone.com and author of the forthcoming Hip-Hop Activism in the Obama Era. (Third World Press, 2011)
Wednesday, February 9, 2011
From Precious to For Colored Girls: Rap Sessions 2011 Launches @ Syracuse University

The Black Image in the American Mind
When the newly minted Tea Party Movement clashed with the 100-year-old civil rights group The NAACP last year, it brought to the fore a tension bubbling beneath the surface throughout the nation: What happens when the conservative re-branding of free speech meets the liberal preoccupation with political correctness?
From entertainment to politics, and the media images that accompany them, the civil rights era idea of “Blackness” is currently in flux. FROM PRECIOUS II FOR COLORED GIRLS examines how this redefinition of Black culture, politics and ethnicity—from without and within—has affected the ways Blacks are perceived and discussed in today’s national culture.
With a view on America’s racial history and future, this exciting program dissects contemporary moments in popular culture and political debates where race, image and identity come center stage. Films like Lee Daniels’ Precious, Tyler Perry’s For Colored Girls, television dramas like The Wire and Treme, and hot button political issues such as immigration and Islamophobia lead the list.
Led by a distinguished panel of scholars, journalists and activists, this provocative, 90-minute townhall style gathering challenges students to consider the following:
• Is “racial tolerance” as passé an idea as pundits from Glenn Beck to Juan Williams suggest?
• How do the various backgrounds and experiences of Black immigrants fit into this discussion?
• To what extent does gender and class continue to inform our understanding of race?
• Has Black authenticity as defined through a 1960s lens run its course?
• How do popular narratives of Blackness from Birth of a Nation to Precious impact public policy around policing, incarceration, housing and employment?
• Is there room for the full-range of Black political expressions in the American mainstream?
• Are provocative Black images like Will.i.am’s Black face at MTV awards overstated or understated?
• What can students do to move the national discussion of race beyond the Black-White paradigm?
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THE PANELISTS
Mark Anthony Neal is the author of five books, including What the Music Said: Black Popular Music and Black Public Culture (1998), Soul Babies: Black Popular Culture and the Post-Soul Aesthetic (2002), and New BlackMan (2005). He has lectured on hip-hop and gender around the country, including the Ford Foundation, Stanford University and at the groundbreaking 2005 Hip-Hop and Feminism conference at the University of Chicago. Professor of Black Popular Culture in the Department of African and African-American Studies at Duke University, Neal is a frequent commentator on NPR and contributes to the on-line media outlets SeeingBlack.com and theLoop21.com. Looking for Leroy: (Il)Legible Black Masculinities (2011) is his forthcoming book.
Joan Morgan is the author of the bestselling When Chickenheads Come Home to Roost: My Life as a Hip-Hop Feminist. Since she published the book in 1998, Morgan has been a widely sought after lecturer and commentator on hip-hop and feminism. An award-winning journalist, a provocative cultural critic and a self-confessed hip-hop junkie, she began her professional writing career freelancing for The Village Voice before having her work published by Vibe, Madison, Interview, MS, More, Spin, and numerous others. Formerly the Executive Editor of Essence, she’s taught hip-hop journalism at Duke University. She is currently a doctoral student in the Program in American Studies at New York University.
John Jennings is an Associate Professor of Graphic Design at the University of Illinois at Urbana-Champaign. His research and teaching focus on the analysis, explication, and disruption of African American stereotypes in popular visual media. His research is concerned with the topics of representation and authenticity, visual culture, visual literacy, social justice, and design pedagogy. He is an accomplished designer, curator, illustrator, cartoonist and award-winning graphic novelist. His work overlaps into various disciplines including American Studies, African American Studies, Design History, Media Studies, Sociology, Women and Gender Studies, and Literature.
Elizabeth Méndez Berry is a journalist who’s work has appeared in the Washington Post, Vibe, The Village Voice, Smithsonian, Time, among many others. She has written about topics from music to immigration. In 2008, she won the Columbia Journalism School's Hechinger award for best education coverage for her piece on the death of a Bronx high school. Méndez Berry has been interviewed about music and culture on NPR, NBC, CNN en español. She has lectured at Duke University, Fordham and Hunter College and is an adjunct professor at NYU's Clive Davis School of Recorded Music, where she teaches music journalism.
Vijay Prashad is Professor and Director of the International Studies Program at Trinity College. He is the author of a dozen books, including most recently The Darker Nations: A People's History of the Third World (2007). The Village Voice chose two of his previous books as books of the year (Karma of Brown Folk, 2000; Everybody Was Kung Fu Fighting, 2001). He is a contributing editor for Himal South Asia (Kathamandu, Nepal), Amerasia Journal (Los Angeles), and Left History (Canada). He writes a regular column for Frontline (India), and for www.counterpunch.org. He is on the board of the Center for Third World Organizing, United for a Fair Economy, and the National Priorities Project.
MODERATED BY BAKARI KITWANA
Bakari Kitwana is a journalist, activist and political analyst whose commentary on politics and youth culture have been seen on CNN, Fox News (the O’Reilly Factor), C-Span, PBS (The Tavis Smiley Show), and heard on NPR. He is CEO of Rap Sessions and Senior Media Fellow at the Harvard Law based Think Tank, The Jamestown Project. His 2002 book The Hip-Hop Generation: Young Blacks and the Crisis in African American Culture has been adopted as a coursebook in classrooms at over 100 colleges and universities. The former Executive Editor of the Source, he has taught in the political science department at the University of Chicago, is co-founder of the 2004 National Hip-Hop Political Convention and is a visiting scholar the Institute for the Study of Women and Gender in the Arts and Media at Columbia College of Chicago. Hip-Hop Activism in the Obama Era (Third World Press, 2011) is his most recent book.
ABOUT RAP SESSIONS
For the last five years, Rap Sessions, the first national tour of its kind, brought townhall style meetings to scores of cities across the country. In 2011, Rap Sessions continues its commitment to engaging the most difficult dialogues facing the hip-hop generation. By touring the nation with leading hip-hop activists, scholars and artists, Rap Sessions helps jumpstart crucial local debate. Past participating institutions include Harvard Law School, Princeton University, Brown University, University of California - Berkeley, Stanford, Vanderbilt University, Washington University, the University of California - Los Angeles, the University of Chicago, The City Museum of New York, The Kauffman Foundation, The Walker Art Center, The Experience Music Project Museum, among others.
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To book a session: 440-779-9893 • email bakari@bakarikitwana.com • or visit: www.rapsessions.org.
Thursday, December 9, 2010
Should Terry Gross Go The Way of Juan Williams?

from the Huffington Post
by Bakari Kitwana
Let's begin with the premise that no people, culture, religious, racial or ethnic group is by definition immoral. Not acknowledging this, at the core, is the problem with Juan Williams' gross generalization about Muslims that recently got him fired from National Public Radio (NPR). But if NPR's "Fresh Air" interview last week with the rapper Jay-Z about his new book Decoded is any indication, it's a message still lost on Terry Gross.
To be sure Juan Williams revealed his bias by openly, expressing his personal opinion. Terry Gross didn't do that. Instead the bias is more subtle and insidious and lurks in the line of questioning.
While not as shocking as the obvious blanket condemnation Juan Williams advanced, the Terry Gross/ Jay-Z interview is even more problematic because it illuminates a tendency pervasive in today's news media. This is a moment in which Blacks can be embraced and promoted at the same time that their humanity is dismantled--all in a 30-second sound bite.
Throughout her interview with Jay-Z, Gross kept returning the discussion to those places that reinforce the idea of Black culture as immoral and Black people as corrupt and/or corruptible. Such anti-Black arguments that once lived primarily in conservative public policy debates have now worked their way into national culture (especially in film, television, news media and politics) to the degree that these views are now widely accepted as the norm.
In short, racial disparities in education, unemployment, criminal justice, wealth-building, and more are rooted in Black cultural failing alone. As this logic prevails, it's impossible to gain traction on any targeted policy solutions regarding the problems disproportionately facing Blacks.
President Obama realizes this. Hence his colorblind politics, a policy approach that anti-racist activist Tim Wise documents in detail in his new book, Colorblind. However, one wonders to what extent even liberal journalists like Terry Gross realize they are collaborators.
To grasp the full extent to which Gross emboldens conservative ideas about race, one should listen to the entire 45-minute interview. For now, let this brief exchange illustrate the point,
GROSS: Your father left when you were very young. And you say that most of your friends' fathers had left. You say, "Our fathers were gone, usually because they just bounced. But we took their old records and used them to build something fresh." That's really interesting that one of your things that your father leaves behind that you can use is his records.
JAY-Z: Yeah, I guess there's a bright side to everything right?
GROSS: Yeah, well, that's one way of looking at it.
Any great interviewer--and Gross is at the top of her game--knows the role he or she plays in the outcome. Part of the science is in framing the questions.
The advancing of conservative rhetoric about Blacks persists, whether Gross is bluntly asking Jay about crimes he committed 15 years ago (crack sales and assault), or inquiring about his mother's parental decisions: "You ended up selling crack and helping your mother, as a single mother, support the family. Did she know that's how you were making the money?"
What's the takeaway message? That Jay's mom was a single parent that made poor choices, let her teenage son sell drugs and is unprincipled because she knows the money he's using to support the family comes from drug sales. It's a narrative we've heard from the Republican Revolution of 1994 to the recent well-financed media blitz that resulted in the mid-term shellacking of the Democrats.
And Terry Gross never goes off message. In a nearly hour long interview with a self-made record executive mogul and entrepreneur worth at least half a billion, on the occasion of the publication of a book he deems a coming of age story for his generation, the most pressing questions on the table range from insight into drug dealing to why rappers grab their crotches?
Don't get me wrong. I'm not saying that folks should boycott NPR or even "Fresh Air." And I'm not saying Gross should be fired. What I'm after is something much larger--a radical shift away from the growing tendency to allow conservative race analysis to dominate the ways Americans think and talk about race.
Ironically, Jay-Z points us to the territory in at least one of his responses to Gross: "I know all sorts of people saw their lives destroyed--but in America, we process that sort of thing as a tragedy," he tells Gross when she asks him about Hurricane Katrina, Kanye West and George Bush. "When it happens to black people, it feels like something else, like history rerunning its favorite loop."
Given how pervasive this narrative has become, it's going take much more than firing journalists like Gross and Williams to purge that "favorite loop" from our national culture.
Thursday, October 14, 2010
Has Obama Earned the Youth Vote?

Has Obama Earned the Youth Vote?
by Bakari Kitwana
As the 2010 midterm election season winds down, electoral politics experts agree that 18-29 year-old voters have a pivotal role to play on November 2nd. Anxiety among Democrats and Republicans concerning the way the political winds will blow the youth vote is crystallizing around the idea that over the last two years President Barack Obama did not fulfill his campaign commitments to the 14 million plus young voters so crucial to his 2008 victory.
Last week, the Houston, Texas local Fox affiliate framed the question like this: "Youth Vote: Obama Boost or Backlash?" or as reporter Greg Googan put it, "Twenty-four recession-racked months later, the question now looms: Is it still 'change' young Americans can believe in?"
When it comes to young voters, has the Obama Administration gone far enough?
University of Chicago Political Science Professor Cathy Cohen suggests in her new book Democracy Remixed, which should be required reading for any politician serious about the future of our democracy, that this sentiment taps into the reality staring young voters in the face everyday: failing schools, a cost of living out of sync with limited job options, an unforgiving criminal justice system, and an escalating war in Afghanistan with 20 and 30-somethings disproportionately on the frontlines, to name a few.
Several weeks before the 2008 presidential election, a rapsessions.org survey asked 18-29 year-old young voters: "What are the most important issues that you want the next president to address?" Among the top three were ending the war in Iraq and creating living wage jobs. Making college education affordable and universal healthcare also topped the list. The survey had a margin of error of 3.2 percentage points, included young Americans equal parts white, black and Latino, male and female and cut across diverse income brackets and regions of the country.
Although Obama's handling of the race question, unemployment and the partisan divide have come to dominate the mid-term elections climate, the real challenge for young voters is to consider the distance between Obama's campaign promises and what he actually delivered since young voters sent him to Washington with a mandate for change.
The economic stimulus bill was signed by Obama into law last fall (and some economists argue it has helped keep the US economy out of a depression). After a year-long protracted struggle, healthcare reform passed in the spring. And as this past summer came to a close, Obama ended the war in Iraq with an August 30 deadline for withdrawal of combat troops. Additionally, during the Obama years, we've seen historic student loan and credit card reform, as well as the extension of unemployment insurance.
Even if young voters need him to go further, and even as the public perception of Obama as a do-nothing president persists, these are pretty solid results not far from young voter's top concerns going into the 2008 Election--not to mention Obama's appointment of two Supreme Court justices (Sonia Sotomayor and Elena Kagan) who will inevitably counterbalance the previous conservative and male bent of the court.
Rather than getting drawn into misinformation-filled partisan bickering, such an assessment is going to take an honest eye on what voters asked for in 2008.
Without spin or hyperbole, scores of these voters began to do just that when they gathered in Atlanta a little more than a week ago for Ignite 2010: From the Blogs to the Blocks, a non-partisan half-day convention hosted by the League of Young Voters Education Fund. The outcome of the gathering may offer a more substantive glimpse of things to come.
There, scores of influential young activists, entertainers, and organizers came together from across the country to talk about ways of keeping their constituents engaged next month and beyond. These are the far too often nameless, faceless young leaders behind the incredible youth voter increases in 2004, 2006 and 2008.
Nearly the exact opposite of what mainstream media has been projecting about a youth vote in crisis, the dominant atmosphere at Ignite 2010 was of young voters still heavily committed to the change they voted for two years ago. Without a doubt, in most of the discussions, it was clear that young voters needed much more from Washington. But on the oft-repeated refrain of whether or not Obama has done enough, the sentiment seemed mixed.
At the end of the day, most can discern that the questions of overall youth satisfaction with their plight and Obama's productivity aren't exactly the same thing.
If this distinction, along with their track record since 2004, is any indication, then the take-away message is that young voters are not sitting out the mid-terms. Instead, they seem more interested in mastering the art of pushing the president and lawmakers even closer to their expectations. Ironically, they may be taking their cues from a small minority of voters who have shown resolve at pushing a liberal president and Democratic majority Congress further to the right.
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Bakari Kitwana is senior media fellow at the Harvard Law based think tank The Jamestown Project and the author of the forthcoming Hip-Hop Activism in the Obama Era (Third World Press, 2010).
Sunday, September 19, 2010
Will.I.Am & 'Blackface'

from NewsOne.com
by Bakari Kitwana
Recently, Newsone contributor Bakari Kitwana spoke with Associate Professor of Visual Studies at the State University of Buffalo, John Jennings, about recent visual images of Blacks on the American popular culture scene—from Will.i.am’s Blackface to the signage at the recent 9/12 Tea Party Rally in Washington, DC. Jennings offers a crash course in media literacy, and stereotypes that he says continue to reproduce themselves in American culture.
He likens the Tea Party signs to previous eras where American racists target Jews, Irish, etc and says of blackface: “Because of the deep history of minstrelsy throughout history, I don’t think you can take it out of the history of racialization.” Such stereotypes, he says, “are like logos.”
Curator, Illustrator, Cartoonist and Graphic Novelist, John Jennings is Associate Professor of Visual Studies at the State University of New York Buffalo and the author of the new book Black Comix: African-American Independent Comics, Art and Culture, which he co-wrote with Damian Duffy. He teaches graphic art and design and his research focuses on challenging African-American stereotypes in the media and popular culture.
Listen to the Conversation HERE
Monday, June 14, 2010
Bakari Kitwana on Alvin Greene

by Bakari Kitwana
Since the news broke that Alvin Greene won the South Carolina Democratic Party Primary Election for US Senate, countless media and political elites, have filled several rounds of the news cycle looking down their noses at the unlikely winner. But more important than questioning where he got the $10,400 filing fee and feigning outrage in response to the obscenity charge, those who claim to love democracy should be asking this: "why are freedom-loving political insiders asking Greene to step aside?"
The same folks leading the charge against Greene, in part suggesting that he's not smart enough to have really won, are the same public servants unable to protect us from banks smart enough to rip us off, but too dumb to fail, and oversized multinational corporations smart enough to drill, but clueless about how to stop the greatest oil spill in American history.
So until said elected officials have figured out a solution to these pressing issues, alongside the unemployment crisis, the budget crises, and recurring voting irregularities in national elections that nurture a climate for more of the same, I'm rooting for Alvin Greene.
Here are five reasons why:
First, if Alvin Greene is the legitimate winner, and I think politicians should find that out with a fair investigation before asking him to step aside (as Congressman James Clyburn and Democratic Party State leader Carol Fowler have done), his win reinforces the notion that grassroots everyday people can still win elections in America--that the country, imagine this, still actually belongs to the people. Political elites reveal how far removed they are from this idea when central to their criticism of Greene is the notion that Senate primary wins are impossible without big bucks and establishment support.
I'm also rooting for Alvin Greene because he's an underdog, the quintessential outsider, so much so, his own party claims they never heard of him. That plus the fact that any non-millionaire deserves our support when he proves he can ruffle the feathers of the mainstream political establishment--those same politicians who get sent to Washington to represent the interest of the people back at home, but fail to support the majority will on pressing issues of the day.
Read the Full Essay @ The Huffington Post
Tuesday, May 25, 2010
Rap Sessions: Does Hip-Hop Hate Women? @ Dartmouth College, May 26, 2010
Thursday, September 10, 2009
Is Conservative Obama Backlash the New Racism?


by Bakari Kitwana
The decision by parents across the country to keep their children home from school today rather than have students listen to the president's stay in school address follows an ugly pattern that began to emerge in the months since the election of Barack Obama as President of the United States. Conservative opposition to Obama in elite political and media circles in recent weeks has turned into routine disgruntled post-election partisan bickering to vile anti-American and racist rhetoric.
From opposition to President Obama's push for an economic stimulus bill in February, and disdain for his selection of Sonia Sotomayor to fill the Supreme Court vacancy, to contempt for his current campaign for health care reform, this voice of unreason has grown louder and more belligerent. The decision by conservative leaders to encourage parents to keep their children home from school today under the auspices that the president's message is hellbent on socialist indoctrination, as Florida GOP Chairman Jim Greer claimed, is the latest manifestation.
The National Keep Your Child at Home Day follows a trend that most notably included the anti- Obama barbs thrown by former US Vice President Dick Cheney back in April. A vice president of an immediately previous administration speaking out within months of the transition of power is something unheard of in recent US history. (Former VP Al Gore waited for eight months before criticizing President George H.W. Bush).
Cheney's departure from tradition was just the beginning. Since the new presidential administration has been underway, conservative leaders seem to have flipped from advocacy to derision on similar positions they supported under Republican presidents. The $700 billion Wall Street bailout was a necessary evil. But, for them, the $787 billion economic stimulus marked the end of capitalism. Support for the war in Iraq under President Bush was pro-American. Under Obama, the idea of not criticizing a war president has been entirely abandoned.
Read the Full Essay @ The Huffington Post
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Bakari Kitwana is senior media fellow at the Harvard Law -based think tank The Jamestown Project and the author of the forthcoming Hip-Hop Activism in the Obama Era.
Tuesday, May 5, 2009
Bakari Kitwana: Obama Subverts White Supremacy Abroad

OPINION: Obama Subverts White Supremacy Abroad
By Bakari Kitwana
With the national euphoria of inauguration, the multi-billion dollar corporate bailouts, and even the historic economic stimulus all recent memories, one untold story of the early days of Barack Obama’s presidency remains-the advent of a concise, bold and fearless new racial politics.
“Subverting race,” Jabari Asim, editor of the Crisis magazine, calls it in his important new book What Obama Means.
And President Obama’s uncanny knack for it takes on even greater significance post election-not simply avoiding the predicable knee-jerk behavior of traditional politics that for too long has governed race business, but advancing a more enlightened, informed and balanced racial outlook that shifts the debate at the same time.
It’s a new racial politics for a US president that, if maintained and amplified in the days ahead, will fly in the face of Barack Obama’s predecessors.
Read Full Essay @
Friday, April 24, 2009
Bakari Kitwana's UNDERGROUND CURRENT: Walter Kimbrough Discusses HBCU Grads In New Administration
from NewsOne.com
Walter Kimbrough, the 41 year-old president of Philander Smith College, speaks with Bakari Kitwana about the current state of Historically Black College and Universities. “HBCUs will be irrelevant without a revolution of leadership,” says Kimbrough, who shares success stories from his own experience as president for the last four years. Kimbrough’s strategies at Philander Smith have resulted in increased enrollment as other HBCUs have suffered a recent decline. For Kimbrough, who’s regularly on Facebook communicating with students and who hosts the popular hip-hop lecture series on his campus, “Bless the Mic,” direct, personal contact is the key. Dr. Kimbrough also speaks here about his forthcoming book, which continues his research into Black Greek letter organizations-observing that when it comes to the new Black leadership in the Obama administration: “it’s devoid both of HBCU graduates and members of Black fraternities and sororities.” He insists that this a historical shift, and “a wake up call,” for these nearly century-old Black institutions.
Walter Kimbrough is president of Philander Smith College, a leading researcher on Black Greek letter organizations, and the author of Black Greek 101.
Tuesday, April 7, 2009
Bakari Kitwana on John Hope Franklin

from The Huffington Post
Did John Hope Franklin Want $100 Trillion For Blacks?
by Bakari Kitwana
Dr. John Hope Franklin, the wildly accomplished historian who documented Blacks’ place in the great American story, firmly believed in reparations — the idea that the descendants of slaves in the United States should be compensated for the centuries of free labor that enriched slaveowners and their descendants and the American empire. It is a fact overlooked by the recent flurry of mainstream media coverage commemorating his life work. (He died at the age of 94 late last month.) But it is no small detail.
Consider his response in 2007 to state legislators in North Carolina and Virginia who balked at apologies for slavery introduced by their peers. For him a mere verbal apology wasn’t enough.
Read the Fully Essay HERE
Does Hip-Hop Hate Women? Chatting Up Chrianna and Youth Culture

from NewsOne.com
PODCAST: Experts Rap About Chrianna & Youth Culture
As the world waits for Chris Brown to appear in court today to be arraigned on two felony charges connected to the dating violence incident with R & B singer Rihanna, NewsOne.com sat down with a handful of journalists, scholars and activist who have had their finger on the pulse of hip-hop generation’s gender wars for much of the last decade: Tracy Sharpley-Whiting (author, Pimps Up, Hos Down and director of Black Studies at Vanderbilt University), Joan Morgan (author of When Chickenheads Come Home to Roost), and Newsone’s own senior editor Bakari Kitwana (Underground Current and director of Rap Sessions). This was moderated by Mark Anthony Neal (Left of Black and author of New Blackman).
The debate got heated on all sides as the group challenged young fans and the mainstream media and prepared for the Does Hip-Hop Hate Women? townhall meeting this Thursday April 9 at Connecticut College.
Listen Here
Wednesday, March 18, 2009
Bakari Kitwana on Rihanna, Chris Brown and Partner/Domestic Violence

A Hip-Hop Response To Chris Brown & Rihanna
By Bakari Kitwana
For nearly an entire week, the Chris Brown/Rihanna alleged abuse incident has dominated major news media headlines. Unfortunately, these sensationalized reports did less to elucidate the national epidemic of violence against women and more to cement into our national psyche the idea that the new face of domestic abuse is young, Black and hip-hop. Instead of accepting sole responsibility for one of America’s most neglected pathologies, young Americans should turn this tragedy into an opportunity.
In the last two election cycles, hip-hop led the way in making involvement in national elections fashionable among youth. Hip-hop political organizers could do the same in extending that influence into the arena of public policy with the goal of establishing an innovative solution to abuse that shifts the way the nation thinks about its treatment of women.
The election of President Barack Obama, with young people across race supporting him long before even the African American community’s vote was solidified, marked the first political victory for this generation. Two-thirds of the 23 million young Americans 18-29 who voted in the 2008 presidential election voted for Barack Obama. These same young people taking the lead on a public policy solution to end dating violence would be an important second act.
Contrary to public opinion the hip-hop community has a long history of resisting the status quo of domestic abuse, misogyny and gender inequity. From books like Tracy Sharpley-Whiting’s Pimps Up, Hos Down and films like Aishah Simmons’ No! The Rape Documentary to organizations like the Center for Young Women’s development and Industry Ears, Inc., there is an emerging hip-hop generation leadership that has its finger on the pulse of a change agenda for women.
Such an agenda is reflected in the nearly 5000 comments posted on Blackplanet.com responding to Chris Brown and Rihanna newsone.com updates. The overwhelming mood of these comments was that the Black community needed to separate itself from stereotypes of domestic violence. Blackplanet.com members even spontaneously created online discussion groups to address the issue.
The media’s obsession with the Chris Brown/Rihanna incident, alongside a new administration that seems to take the debt it owes young voters seriously offers young political organizers a rare opportunity for this generation to take the lead on dating and domestic abuse.
Read the Full Essay HERE
Saturday, February 21, 2009
Bakari Kitwana on the New York Post Cartoon

Yesterday, as I prepared for the kick-off to the national discussion tour focused on the theme “Is America Really Post-Racial?” which will convene in ten US cities this spring, I received emails from around the country commenting on The New York Post cartoon that depicts a chimpanzee being shot by two white police officers. The cartoon prominently displays one of the officers saying, “They’ll have to find someone else to write the next stimulus bill.”
The commentary comes on the heels of the historic election of Barack Obama as the nation’s first Black president. During the campaign, Obama had been likened to the famed children’s book protagonist and monkey, “Curious George,” and numerous Americans openly expressing their discontent with the very idea of the US president for the first time not being a white male.
Likewise, the recurring backdrop to the historic campaign with an African American as frontrunner was the need for secret service protection for Obama due to the overwhelming number of death threats and the subsequent concern that some nut case might attempt to bring him harm-an idea reiterated by at least one attempted plan in Colorado to make good on the threats during the Democratic National Convention.
One of the routines that have long played out in American electoral politics when it comes to race is politics by suggestion and association. Willie Horton ads, Bill Clinton’s remark about Sister Souljah in 1992, the racially-charged commentary at McCain-Palin rallies during the primaries-all were designed with the intent that Americans would make an emotional connection to previously held ideas about race, racial cues if you will. This cartoon is no different.
Media and political elites intent on playing the game of American’s old racial politics have in the last several decades become quite adept at two primary tried and tested strategies: feigning innocent when they get called on their racist behavior; and when that doesn’t work, defending racist ploys by claiming those offended should get over their sensitivities and toughen their skin.
While it is true that a pet chimpanzee was shot days ago in Stamford, Connecticut that chimpanzee had absolutely nothing to do with the economic stimulus bill. President Barack Obama, by contrast, has been associated with the economic stimulus package from nearly day one of his administration.
So it is nearly impossible to not make some association between the Sean Delonas cartoon and recent current events. And it was painfully obvious to see those on the wrong side of the issue do this usual dance.
The good news is that those strategies have run their course. And like other divide and conquer approaches, such tactics, I believe, will continue fall flat in a post civil rights politics environment.
Read the Full Essay @




