Showing posts with label Bakari Kitwana. Show all posts
Showing posts with label Bakari Kitwana. Show all posts

Wednesday, June 8, 2011

Remembering Geronimo Pratt


Remembering Geronimo Pratt
by Bakari Kitwana | NewsOne

Political activists around the country are still absorbing the news of Geronimo ji Jaga’s death. For those of us who came of age in the 80s and 90s, the struggles of the late 1960s and early 1970s were in many ways a gateway for our examination of the history of Black political resistance in the US. Geronimo ji Jaga (formerly Geronimo Pratt) and his personal struggle, as well as his contributions to the fight for social justice were impossible to ignore. His commitment, humility, clear thinking as well as his sense of both the longevity and continuity of the Black Freedom Movement in the US all stood out to those who knew him.

I interviewed him for The Source magazine in early September 1997 about three months after he was released from prison, having served 27 years of a life sentence for a murder he didn’t commit. Three things stood out from the interview, all of which have been missed by recent commentary celebrating his life and impact.

First that famed attorney Johnnie Cochran was not only his lawyer when ji Jaga gained his freedom, but also represented him in his original trial. They were from the same hometown and, according to ji Jaga, Cochran’s conscious over the years was dogged by the injustice of the US criminal system that resulted in the 1970 sentence. Second, according to ji Jaga, he never formally joined the Black Panther Party. As he remembered it, he worked with several Black activist organizations and was captured by the police while working with the Black Panther Party for Self-Defense. And finally, his analysis of the UCLA 1969 shoot-out between Black Panthers and US Organization members that led to the death of his best friend Bunchy Carter and John Huggins is not a simple tale of Black in-fighting. Now is a good time to revisit all three.

Misinformation is so much part of our current political moment, particularly as the 24-hour news cycle converges with the ascendance of Fox News. In this climate, the conservative analysis of race has been normalized in mainstream discourse. This understanding of racial politics, along with the election of Barack Obama and a first term marked by little for Blacks to celebrate, makes it a particularly challenging time to be politically Black in the United States. Ask Jeremiah Wright, Shirley Sherrod, and Van Jones—all three serious advocates for the rights and humanity of everyday people whose critiques of politics and race made them far too easily demonized as anti-American.

If we have entered the era where the range of Black political thought beyond the mainstream liberal-conservative purview is delegitimized, Geronimo ji Jaga’s life and death is a reminder of our need to resist it.

EXCERPTS FROM THE 1997 INTERVIEW:

How did you get involved with the Black Panther Party?

Technically I never joined the Black Panther Party. After Martin Luther King’s death, an elder of mine who was related to Bunchy Carter’s elder and Johnnie Cochran’s elder requested that those of us in the South that had military training render some sort of discipline to brothers in urban areas who were running amuck getting shot right and left, running down the street shooting guns with bullets half filled which they were buying at the local hardware store. When I arrived at UCLA, Bunchy was just getting out of prison and needed college to help with his parole. We stayed together in the dorm room on campus. But we were mainly working to build the infrastructure of the Party.

You ended up as the Deputy Minister of Defense. How did that come about?

They did not have a Ministry of Defense when I came on the scene. There was one office in Oakland and a half an office in San Francisco. I helped build the San Francisco branch and all of the chapters throughout the South—New Orleans, Dallas, Atlanta, Memphis, Winston-Salem, North Carolina and other places. We did it under the banner of the Panthers because that’s what was feasible at the time. Because of shoot-outs and all that stuff, the work I did with the Panthers, overshadowed the stuff that I did with the Republic of New Afrika, the Mau Mau, the Black Liberation Army, the Brown Berets, the Black Berets, even the Fruit of Islam—but I saw my work with the Panthers as temporary. When Bunchy was killed, the Panthers wanted me to fill his position [as leader of the Southern California chapter]. I didn’t want to do it because I was already overloaded with other stuff. But it was just so hard to find someone who could handle LA given the problems with the police. So I ended up doing it, reluctantly. And this is how I ended up on the central committee of the Black Panther Party. I never took an oath and never joined the Party.

What was your role as Deputy Minister of Defense?

The Ministry of Defense was largely based on infrastructure: cell systems in the cities; creating an underground for situations when you need to get individuals out of the city or country. When you get shot by the police, you can’t be taken to no hospital. You gotta have medical underground as well. That’s where the preachers, bible school teachers and a lot of others behind the scenes got involved. When Huey got out of prison in 1970, this stuff blew his mind.

What were the strengths and weaknesses of the Party?

The main strength was the discipline which allowed for a brother or sister to feed children early in the morning, go to school and P.E. classes during the day, go to work and selling papers in the afternoon, and patrol the police at night. The weak points were our naiveté, our youth, and the lack of experience. But even at that I really salute the resistance of the generation! I have a problem saying it was just the Panthers `cause that’s not right. When you do that you x-out so much. There was more collective work going on than the popular written history of the period suggests. And when you talk about SNCC you are talking about a whole broader light than the Panther struggle. So you have to talk about that separate—that’s a bigger thing. They gave rise to the intelligence of a whole bunch of Panthers.

What was Bunchy Carter like?

He was a giant, a shining prince. He had been the head of the Slausons gang. He was transforming the gangbangers in Los Angeles into that revolutionary arm. He was my mentor. Such a warm and lovable, brainy brother. At the same time he was such a fierce brother. He was very dynamic—he was an ex-boxer, and he was even on The Little Rascals probably back in the fifties. His main claim to fame was what he did with the gangs in the city. And that was a monumental thing. All that was before Bunchy became a Panther.

Because of the death of Bunchy Carter as a result of the Panthers’ clash with Maulana Karenga’s US organization, even today rumors persists that Dr. Karenga was an informant. . .

Not true. Definitely not true.

What was the Panther clash with US all about?

We considered Karenga’s US organization to be a cultural-nationalist organization. We were considered revolutionary nationalist. So, we have a common denominator. We both are nationalist. We never had antagonistic contradictions, just ideological contradictions. The pig manipulated those contradictions to the extent that warfare jumped off. Truth is the first casualty in war. It began to be said that Karenga was rat, but that wasn’t true. The death of Bunchy and John Huggins on UCLA campus was caused by an agent creating a disturbance which caused a Panther to pull out a gun and which subsequently caused US members to pull out their guns to defend themselves. In the ensuing gun battle Bunchy Carter and John Huggins lay dead.

What’s your worst memory of the 27 years you spent in prison?

I accepted the fact that when I joined the movement I was gonna be killed. When we were sent off to these urban areas we were actually told, “Look, you’re either gonna get killed, put in prison, or if you’re lucky we can get you out the country before they do that. Those are the three options. To survive is only a dream.” So when I was captured, I began to disconnect. So it’s hard to say good or bad moments because this is a whole different reality that had a life of its own.

Many people would say that during those twenty-seven years that you lost something. How would you describe it?

I considered myself chopped off the game plan when I was arrested. But it was incumbent upon me to free myself and continue to struggle again. You can’t look back twenty-seven years and say it was a lost. I’m still living. I run about five miles every morning, and I can still bench press 300 pounds ten times. I can give you ten reps (laughter). Also I hope I’m a little more intelligent and I’m not crazy. It’s a hell of a gain that I survived.

What music most influenced you during that time?

In 1975 I heard some music on a prison radio. I hadn’t seen a television in six years until about 1976, and it was at the end of the tier. I couldn’t see it unless I stood up sideways against the bars. When I really got to see a television again was in 1977. So, I was basically without music and television for the first eight years when I was in the hole. When I was able to get on the main line and listen to music and see T.V., of course the things I wanted to hear were the things I heard when I was on the street. But by then those songs had to be at least nine years old. So, I would listen to oldies. And the new music it was hard to get into, but I slowly began to get into that. But when hip-hop began to come around, it caught on like wildfire. It reminds me how the Panthers and other groups started to catch on like wildfire. It reminded me of Gil Scott-Heron. He would spit that knowledge so clearly and that was the first thing that came to mind when I heard Grandmaster Flash, KRS-One, Paris, Public Enemy and Sista Soldier—the militancy.

What type of books were you reading?

We maintained study groups throughout when I was on main line. Much of the focus was on Cheik Anta Diop—He was considered by us to be the last Pharaoh. We also read the works compiled by Ivan Van Sertima. Of course, there were others.

In terms of a spiritual center, what helped you to get through?

Well the ancestors guided me back to the oldest religion known to man—Maat. We also studied those meditations that were developed by all of our ancestors—the Natives, the Hispanics, the Irish—not just the ones that were strictly African.

The youngest of seven children, Ji Jaga was born Elmer Pratt, in Morgan City, a port city in southwestern Louisiana, two hours south of New Orleans, on September 13 1947. 120 years earlier marked the death of Jean Lafitte, the so-called “gentleman’s pirate” of French ancestry who settled in Haiti in the early 1800s until he was run out with most other Europeans during the Haitian revolution. Lafitte’s claim to fame was smuggling enslaved Africans from the Caribbean to Louisiana during the Spanish embargo of the late 17th & early 18th centuries, often taking refuge in the same bayous that were Pratt’s childhood home. Pratt was dubbed Geronimo by Bunchy Carter and assumed the name ji Jaga in 1968. The Jaga were a West African clan of Angolan warriors who Geronimo says he descends from. Many of the Jaga came to Brazil with the Portuguese as free men and women and some were later found among maroon societies in Brazil. How Jaga descendants could have ended up in Louisiana is open to historical interpretation, as most Angolans who ended up in Louisiana and Mississippi and neighboring states entered the US via South Carolina. Some Jaga were possibly among the maroon communities in the Louisiana swamplands as well. According to the Pratt, the Jaga refused to accept slavery—hence his strong identification with the name.

What were some of your earliest early childhood memories?

Well, joyous times mostly. Morgan City was a very rural setting and very nationalistic, self-reliant, and self-determining. It was a very close-knit community. Until I was a ripe old age, I thought that I belonged to a nation that was run by Blacks. And across the street was another nation, a white nation. Segregation across the tracks. We had our own national anthem, “Lift Every Voice and Sing,” our own police, and everything. We didn’t call on the man across the street for nothing and it was very good that I grew up that way. The worst memories were those of when the Klan would ride. During one of those rides, I lost a close friend at an early age named Clayborne Brown who was hit in the head by the Klan and drowned. They found his body three days later in the Chaparral River. And, we all went to the River and saw them pull him in. Clayborne was real dark-skinned and when they pulled him out of the river, his body was like translucent blue. Then a few years later, one Halloween night, the Klan jumped on my brother. So there are bad memories like that.

Does your mother still live there?

She’s gone off into senility, but she’s still living—94 years old this year. [She died in 2003 at 98 years-old] And every time I’ve left home, when I come back the first person I go to see is my mama. So, that’s what I did when I got out of prison. Mama has always stood by me. And, I understood why. She was a very brainy person. Our foreparents, her mother was the first to bring education into that part of the swampland and set up the first school. When I was growing up, Mama used to rock us in her chair on the front porch. We grew up in a shack and we were all born in that house, about what you would call a block from the Chaparral River. She would recite Shakespeare and Longfellow to us. All kind of stuff like that at an early age we were hearing from Mama—this Gumbo Creole woman (laughs). And she was very beautiful. Kept us in church, instilled all kinds of interests in us, morals and respect for the elders, respect for the young.

What about your father?

My father was very hard working. He wouldn’t work for no white man so he was what you could call a junk man. On the way home from school in Daddy’s old pick-up truck we would have to go to the dump and get all the metal that we could find as well as rope, rags, anything. When we got home, we unloaded the truck and separated the brass, copper, the aluminum, so we could sell it separate. That’s how he raised an entire family of seven and he did a damn good job. But he worked himself to death. He died from a stroke in 1956.

With an upbringing so nationalistic, what made you join the US military?

I considered myself a hell of an athlete. We had just started a Black football league. A few years earlier, Grambling came through and checked one of the guys out. So initially my ambition was to go to Grambling or Southern University and play ball. Because of the way the community was organized, the elders called the shots over a lot of the youngsters. They had a network that went all the way back to Marcus Garvey and the days when the United Negro Improvement Association (U.N.I.A.) was organizing throughout the South in the 1920s. My uncle was a member of the legionnaires, the military arm of the U.N.I.A. Of the seventeen people in my graduating class, six of us were selected by the elders to go into the armed forces, the United States Air Force. The older generation was getting older and was concerned about who would protect the community.

Many of the brothers that went to Vietnam have never gotten past it. You seemed to have made a progressive transition. How have you done that?

I’ve never suffered the illusion that I was aligned to anything other than my elders. And my going to Vietnam was out on a sense of duty to them. When I learned how to deal with explosives, I’m listening at that training in terms of defending my community. Most of the brothers that I ran into in the service really bought into being Americans and “pow” when they were hit with the reality of all the racism and disrespect, they just couldn’t handle it.

What was it like to be a Black soldier in the US military in 1965?

This was my first experience with integration. But I was never was a victim of any racial attack or anything. During the whole first time I was in Vietnam—throughout 1966—I never heard the “N” word. And all of my officers were white. When I went back in 1968 that’s when you would see more manifestations of racial hatred, especially racial skirmishes between the soldiers. But first off there were so many battles and we were getting ambushed so much. Partners were dying. We were getting over run. I mean it was just madness. If you were shooting in the same direction, cool.

You were very successful in the military. Why did you get out?

On April 4, 1968 Martin Luther King, Jr. was killed. I was due to terminate my service a month later. I wasn’t gonna do it. I was gonna re-up ‘cause I had made Sergeant at a very early age, in two tours of combat, so I could have been sitting pretty for the rest of my life in the military. I was loyal and patriotic to the African nation I grew up in who sent me into the service. And after Martin Luther King was killed, my elders ordered me to come on out of the service. King was the eldest Messiah. Malcolm was our generation’s Messiah. And now that their King was dead, it was like there’s no hope. So they actually unleashed us to do what we did. This is why when Newsweek took their survey in 1969, it was over 92% of the Black people in this country supported the Black Panther Party as their legitimate political arm. It blew the United States’ mind.

Wednesday, June 1, 2011

Rap Sessions: From Precious II For Colored Girls: The Digital Highlight Reel



For the 5th year the Institute for the Study of Women and Gender in The Arts and Media at Columbia College and Rap Sessions co-presented a Community Dialogue. The powerful 'townhall meeting,' created and moderated by award-winning journalist, activist, political analyst and Institute Fellow Bakari Kitwana explored contemporary moments in popular culture and political debates where race, image and identity were center stage. 

The program featured Elizabeth Méndez Berry (journalist and author, "The Obama Generation, Revisited," featured in The Nation), John Jennings (SUNY Buffalo; co-author, Black Comix: African American Independent Comix and Culture), Joan Morgan (journalist, culture critic, and author, When Chickenheads Come Home to Roost), Mark Anthony Neal (Duke University; author, New Black Man), and Vijay Prashad (Trinity College; author, The Darker Nations: A People's History of the Third World). 

This highlight reel presents some of the program's prominent moments.

Thursday, May 26, 2011

Conservatives, Hip-Hop and 2012

Conservatives, Hip-Hop and 2012
by Bakari Kitwana | Huffington Post

As the 2012 presidential election ramps up, expect conservatives to keep gunning for black youth, in general, and hip-hop, specifically. Black youth showed significant gains in 2008, and now represent the group of 18- to 29-year-old who vote the most. Their ability via popular to inspire young voters -- who in 2008 voted for Barack Obama over John McCain by a ratio of 2-to-1 -- poses one of the most viable threats to Republicans' aspirations to retake the Ppesidency. The recent national discussion surrounding the rapper Common's appearance at the White House is perhaps the first salvo.

What was quickly summed up as either an attempt to defend law enforcement or as an attack on the value of the arts does not get to the heart of what conservatives were really communicating to voters in the Common dust-up. That is, is there a place in mainstream American political life for young blacks, whose political views don't always fall within traditional mainstream conservative/liberal lines?


Black youth, particularly those who are poor and often ignored by politicians and lawmakers, are the men and women that the rapper-actor Common gave voice to in his 2007 poem ("A Letter to the Law") highlighted throughout the controversy. Conservative critics take issue with Common's tendency in the poem to represent their issues. Further, they feign outrage at the fact that Common presumes innocent several high profile Black Panthers convicted of police killings -- Assata Shakur and Mumia Abu-Jama l-- notwithstanding Common's suspicion is shared by international supporters, including Human Rights Watch and Amnesty International. 

So much of conservative media maneuvering since the 2008 election has been about creating illusions. This focus on Common is no different. In fact, the point of highlighting these associations is to encourage the casual observer to infer that like-minded Black youth are equally un-American and should not be welcome at the White House. Hence, the suggestion goes, it is not only logical, but also patriotic to dismiss their issues.

Such reasoning fails to consider that many of these young Americans embrace their citizenship with as much passion as conservative Republicans advance their own interpretation of what the founding fathers envisioned for the nation. Rightly so. Many have fought in American wars of the last decade, as African-Americans in the military outdistance their representation in the general population. Many were forced outside of the mainstream economy years before the Great Recession of 2007-2009. By 2009, for example, unemployment for black 16- to 24-year-olds reached Depression-era levels. 

Many others, with hip-hop as the unifying theme, vote and engage in grassroots community change efforts in neighborhoods abandoned long ago by government job programs and major corporations. They belong to national, multi-racial organizations like The Hip-Hop Caucus, the League of Young Voters, Green For All or similar local organizations. They also, like their fellow citizens, believe their issues should take center stage on the nation's agenda -- that they should be no more or less important than America's super rich, its senior citizens, its fed up Tea Partiers or its mega corporations.

Unfortunately, as the nation gears up for election 2012, they are among those that conservative spin brings to mind with phrases like "take back America." For self-appointed defenders of American values (who these days take their cues from House Speaker John Boehner, presidential hopeful Michele Bachmann and talking heads like Sean Hannity and Ann Coulter, to name a few), hearing the voices of fellow citizens at a White House poetry reading signals not the diversity of the nation, but, rather, a country that has lost its way. 

As a hip-hop advocate and critic who has shared the stage with Common, I can unequivocally vouch for the value he adds to the nation. He's both a thoughtful lyricist and a hip-hop star committed to using his celebrity to improve the lives of forgotten Americans. He does not routinely traffic in misogyny or gratuitous violence. Yes, there are those rare moments where he could go further to distance himself from hip-hop's gender stereotypes. However, to focus on Common's lyrics is to miss the point.

And missing the point in this case means entering a very calculated debate in which Common, and by extension hip-hop culture, is cast as a villain worthy of our collective disdain. This demonizing comes at a time when conservatives, especially over the last two and half years, have firmly demonstrated their ability to set the tone for national media and popular discourse, replete with what has become customary double-talk, innuendo and outright distortion of the facts. 

Problem is, the idea that young blacks and hip-hop culture are by definition un-American is a message that defies reality. 

Voter participation for 18- to 29-year-olds enjoyed an eleven percent increase between 2000 and 2008. Cross-racial hip-hop organizing jump-started many of these mobilizing efforts. In 2008, fifty-one percent of eligible 18- to 29-year-olds voted in the presidential election. Fifty-eight percent of black youth 18-29 voted, the highest participation of any racial group. (Fifty-two percent of white youth voted in the same age group.) Instead of rebuking young blacks and hip-hop culture that speaks to multiracial audiences for their forays in civic engagement -- including symbolic representation at the White House -- one would think that defenders of the American way would embrace them. 

But this is divide-and-conquer political theater. And the focus for conservatives who lost the presidential election by a landslide in 2008 (in part because of a cross-racial youth vote) is to win in 2012 -- at any cost. To that end, driving a wedge between this emerging, vibrant youth voting bloc is crucial. However, attempting to do so by relying on racial stereotyping, rather than the facts, is a tactic Americans concerned about the future of our democracy should not tolerate this election season.

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Bakari Kitwana is senior media fellow at the Jamestown Project and the author of the forthcoming Hip-Hop Activism in the Obama Era (Third World Press, 2011)
Follow Bakari Kitwana on Twitter: www.twitter.com/therealbakari

Saturday, May 7, 2011

From Precious II For Colored Girls: The Black Image in the American Mind






















From Precious II For Colored Girls: The Black Image in the American Mind

For the past five years, the Institute for the Study of Women and Gender in the Arts and Media has partnered with Rap Sessions: Community Dialogues to bring together a distinguished panel of scholars, journalists, and activists for a townhall-style meeting addressing important issues in our communities. Rap Sessions is led by critically acclaimed journalist, activist, political analyst, and Institute Fellow, Bakari Kitwana.

This year's panel explores contemporary moments in popular culture and political debates where race, image, and identity have taken center stage. Recent films like "Precious," "For Colored Girls," and TV shows like "The Wire" and "Treme," as well as current political issues such as immigration, are among the topics addressed by this panel.

Panelists include: Elizabeth Méndez Berry, journalist (The Nation, Washington Post) and author of The Obama Generation, Revisited; John Jennings, professor of visual studies, SUNY Buffalo, and co-author of Black Comix: African American Independent Comix and Culture; Joan Morgan, journalist, cultural critic, and author of When Chickenheads Come Home to Roost; Mark Anthony Neal, professor of Black popular culture at Duke University and author of New Black Man; Vijay Prashad, director of international studies at Trinity College and author of The Darker Nations: A People’s History of The Third World.

Listen @ WBEZ

Tuesday, May 3, 2011

Was Bin Laden’s Assassination Illegal? Bakari Kitwana Talks with Vijay Prashad

NewsOne’s Bakari Kitwana interviews Vijay Prashad about the implications of the recent killing of Al Qaeda leader Osama Bin Laden. Kitwana and Prashad discuss the American public’s euphoria surrounding this news and what this death means for the war in Afghanistan, and the future of America’s enemies—from Al Qaeda to the Taliban.

They also talk about the meaning of Bin Laden’s demise to the 2012 presidential race. Says Prashad, “Forget Obama. Forget 2012. What are the long-term implications for American power and authority in a world where others are trying to build up international law as a counter to cowboy-ism?”

Prashad also shares insight on the way he sees the death of Bin Laden already playing out in civil rights and human rights circles: “In 1981 Ronald Reagan signed Executive Order 12333, which disallows the US from pursuing targeted assassinations. Likewise, international law forbids this type of action. I’m very disturbed that there is no qualified discussion about the legality of this type of action. People on the liberal to progressive side seem to have lost their bearings and are no longer able to be serious when it comes to the question of utilizing armed force overseas.”

Vijay Prashad is professor and director of International Studies at Trinity College. He is the author eleven books, including his most recent The Darker Nations: A People’s History of the Third World.

Bakari Kitwana is CEO of Rap Sessions, Editor at Large of Newsone.com and author of the forthcoming Hip-Hop Activism in the Obama Era. (Third World Press, 2011)

Listen Here

Sunday, April 24, 2011

Rap Sessions Community Dialogue From Precious II For Colored Girls @ Columbia College | April 26, 2011
























Rap Sessions | 
Community Dialogue From Precious II For Colored Girls:
The Black Image in the American Mind

Columbia College
Tuesday, April 26th
6 p.m. Reception / 6:30 p.m. Program
Conaway Center | 1104 S. Wabash Ave., 1st floor
This event is free and open to the public.

For the fifth year, the Ellen Stone Belic Institute for the Study of Women & Gender in the Arts & Media partners with Rap Sessions: Community Dialogues to bring a distinguished panel of scholars, journalists, and activists for a townhall-style meeting addressing important issues in our communities. Rap Sessions is led by critically-acclaimed journalist, activist, political analyst, and Institute Fellow, Bakari Kitwana. 

This year’s panel explores contemporary moments in popular culture and political debates where race, image and identity come center stage. Recent films like Precious and For Colored Girls, and TV shows like The Wire and Treme, as well as current political issues such as immigration and others, are among the hot button issues to be addressed in this context.

Featuring:

  • Elizabeth Méndez Berry (journalist and author of The Obama Generation, Revisited, featured in The Nation)
  • John Jennings (Professor of Visual Studies at SUNY Buffalo, and co-author of Black Comix: African American Independent Comix and Culture)
  • Joan Morgan (journalist, cultural critic, and author of When Chickenheads Come Home to Roost)
  • Mark Anthony Neal (Professor of Black Popular Culture at Duke University, and author of New Black Man)
  • Vijay Prashad (Director of International Studies at Trinity College, and author of The Darker Nations: A People’s History of The Third World)
Moderated by Bakari Kitwana, journalist, activist, political analyst, and Institute Fellow.

This program is co-presented by the Ellen Stone Belic Institute for the Study of Women and Gender in the Arts and Media, and Rap Sessions. It is sponsored in part by the Leadership Donors of the Institute; Illinois Arts Council, a state agency; Office of Multicultural Affairs; and Critical Encounters: Image & Implication.

For more information, email institutewomengender@colum.edu or call 312.369.8829.

Monday, March 21, 2011

Rap Sessions: Nicki Minaj And Images Of Black Women In Media



from NewsOne.com

Rap Sessions: Nicki Minaj And Images Of Black Women In Media

Bakari Kitwana interviews Mark Anthony Neal about the Nicki Minaj’s recent appearance on Saturday Night Live as “The Bride of Blackenstein,” which interestingly generated very little serious media critique.

Listen Here

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Mark Anthony Neal is Professor of Black Popular Culture at Duke University, host of the internet TV show Left of Black, and the author five books, and co-editor the forthcoming That’s The Joint: The Hip-Hop Studies Reader (2nd Edition).

Bakari Kitwana is CEO of Rap Sessions, Editor at Large of Newsone.com and author of the forthcoming Hip-Hop Activism in the Obama Era. (Third World Press, 2011)

Wednesday, February 9, 2011

From Precious to For Colored Girls: Rap Sessions 2011 Launches @ Syracuse University



FROM PRECIOUS II FOR COLORED GIRLS
The Black Image in the American Mind

When the newly minted Tea Party Movement clashed with the 100-year-old civil rights group The NAACP last year, it brought to the fore a tension bubbling beneath the surface throughout the nation: What happens when the conservative re-branding of free speech meets the liberal preoccupation with political correctness?

From entertainment to politics, and the media images that accompany them, the civil rights era idea of “Blackness” is currently in flux. FROM PRECIOUS II FOR COLORED GIRLS examines how this redefinition of Black culture, politics and ethnicity—from without and within—has affected the ways Blacks are perceived and discussed in today’s national culture.

With a view on America’s racial history and future, this exciting program dissects contemporary moments in popular culture and political debates where race, image and identity come center stage. Films like Lee Daniels’ Precious, Tyler Perry’s For Colored Girls, television dramas like The Wire and Treme, and hot button political issues such as immigration and Islamophobia lead the list.

Led by a distinguished panel of scholars, journalists and activists, this provocative, 90-minute townhall style gathering challenges students to consider the following:

• Is “racial tolerance” as passé an idea as pundits from Glenn Beck to Juan Williams suggest?

• How do the various backgrounds and experiences of Black immigrants fit into this discussion?

• To what extent does gender and class continue to inform our understanding of race?

• Has Black authenticity as defined through a 1960s lens run its course?

• How do popular narratives of Blackness from Birth of a Nation to Precious impact public policy around policing, incarceration, housing and employment?

• Is there room for the full-range of Black political expressions in the American mainstream?

• Are provocative Black images like Will.i.am’s Black face at MTV awards overstated or understated?

• What can students do to move the national discussion of race beyond the Black-White paradigm?

***

THE PANELISTS

Mark Anthony Neal is the author of five books, including What the Music Said: Black Popular Music and Black Public Culture (1998), Soul Babies: Black Popular Culture and the Post-Soul Aesthetic (2002), and New BlackMan (2005). He has lectured on hip-hop and gender around the country, including the Ford Foundation, Stanford University and at the groundbreaking 2005 Hip-Hop and Feminism conference at the University of Chicago. Professor of Black Popular Culture in the Department of African and African-American Studies at Duke University, Neal is a frequent commentator on NPR and contributes to the on-line media outlets SeeingBlack.com and theLoop21.com. Looking for Leroy: (Il)Legible Black Masculinities (2011) is his forthcoming book.

Joan Morgan is the author of the bestselling When Chickenheads Come Home to Roost: My Life as a Hip-Hop Feminist. Since she published the book in 1998, Morgan has been a widely sought after lecturer and commentator on hip-hop and feminism. An award-winning journalist, a provocative cultural critic and a self-confessed hip-hop junkie, she began her professional writing career freelancing for The Village Voice before having her work published by Vibe, Madison, Interview, MS, More, Spin, and numerous others. Formerly the Executive Editor of Essence, she’s taught hip-hop journalism at Duke University. She is currently a doctoral student in the Program in American Studies at New York University.

John Jennings is an Associate Professor of Graphic Design at the University of Illinois at Urbana-Champaign. His research and teaching focus on the analysis, explication, and disruption of African American stereotypes in popular visual media. His research is concerned with the topics of representation and authenticity, visual culture, visual literacy, social justice, and design pedagogy. He is an accomplished designer, curator, illustrator, cartoonist and award-winning graphic novelist. His work overlaps into various disciplines including American Studies, African American Studies, Design History, Media Studies, Sociology, Women and Gender Studies, and Literature.

Elizabeth Méndez Berry is a journalist who’s work has appeared in the Washington Post, Vibe, The Village Voice, Smithsonian, Time, among many others. She has written about topics from music to immigration. In 2008, she won the Columbia Journalism School's Hechinger award for best education coverage for her piece on the death of a Bronx high school. Méndez Berry has been interviewed about music and culture on NPR, NBC, CNN en español. She has lectured at Duke University, Fordham and Hunter College and is an adjunct professor at NYU's Clive Davis School of Recorded Music, where she teaches music journalism.

Vijay Prashad is Professor and Director of the International Studies Program at Trinity College. He is the author of a dozen books, including most recently The Darker Nations: A People's History of the Third World (2007). The Village Voice chose two of his previous books as books of the year (Karma of Brown Folk, 2000; Everybody Was Kung Fu Fighting, 2001). He is a contributing editor for Himal South Asia (Kathamandu, Nepal), Amerasia Journal (Los Angeles), and Left History (Canada). He writes a regular column for Frontline (India), and for www.counterpunch.org. He is on the board of the Center for Third World Organizing, United for a Fair Economy, and the National Priorities Project.

MODERATED BY BAKARI KITWANA

Bakari Kitwana is a journalist, activist and political analyst whose commentary on politics and youth culture have been seen on CNN, Fox News (the O’Reilly Factor), C-Span, PBS (The Tavis Smiley Show), and heard on NPR. He is CEO of Rap Sessions and Senior Media Fellow at the Harvard Law based Think Tank, The Jamestown Project. His 2002 book The Hip-Hop Generation: Young Blacks and the Crisis in African American Culture has been adopted as a coursebook in classrooms at over 100 colleges and universities. The former Executive Editor of the Source, he has taught in the political science department at the University of Chicago, is co-founder of the 2004 National Hip-Hop Political Convention and is a visiting scholar the Institute for the Study of Women and Gender in the Arts and Media at Columbia College of Chicago. Hip-Hop Activism in the Obama Era (Third World Press, 2011) is his most recent book.

ABOUT RAP SESSIONS

For the last five years, Rap Sessions, the first national tour of its kind, brought townhall style meetings to scores of cities across the country. In 2011, Rap Sessions continues its commitment to engaging the most difficult dialogues facing the hip-hop generation. By touring the nation with leading hip-hop activists, scholars and artists, Rap Sessions helps jumpstart crucial local debate. Past participating institutions include Harvard Law School, Princeton University, Brown University, University of California - Berkeley, Stanford, Vanderbilt University, Washington University, the University of California - Los Angeles, the University of Chicago, The City Museum of New York, The Kauffman Foundation, The Walker Art Center, The Experience Music Project Museum, among others.

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To book a session: 440-779-9893 • email bakari@bakarikitwana.com • or visit: www.rapsessions.org.

Thursday, December 9, 2010

Should Terry Gross Go The Way of Juan Williams?


from the Huffington Post

Should Terry Gross Go The Way of Juan Williams?
by Bakari Kitwana

Let's begin with the premise that no people, culture, religious, racial or ethnic group is by definition immoral. Not acknowledging this, at the core, is the problem with Juan Williams' gross generalization about Muslims that recently got him fired from National Public Radio (NPR). But if NPR's "Fresh Air" interview last week with the rapper Jay-Z about his new book Decoded is any indication, it's a message still lost on Terry Gross.

To be sure Juan Williams revealed his bias by openly, expressing his personal opinion. Terry Gross didn't do that. Instead the bias is more subtle and insidious and lurks in the line of questioning.

While not as shocking as the obvious blanket condemnation Juan Williams advanced, the Terry Gross/ Jay-Z interview is even more problematic because it illuminates a tendency pervasive in today's news media. This is a moment in which Blacks can be embraced and promoted at the same time that their humanity is dismantled--all in a 30-second sound bite.

Throughout her interview with Jay-Z, Gross kept returning the discussion to those places that reinforce the idea of Black culture as immoral and Black people as corrupt and/or corruptible. Such anti-Black arguments that once lived primarily in conservative public policy debates have now worked their way into national culture (especially in film, television, news media and politics) to the degree that these views are now widely accepted as the norm.

In short, racial disparities in education, unemployment, criminal justice, wealth-building, and more are rooted in Black cultural failing alone. As this logic prevails, it's impossible to gain traction on any targeted policy solutions regarding the problems disproportionately facing Blacks.

President Obama realizes this. Hence his colorblind politics, a policy approach that anti-racist activist Tim Wise documents in detail in his new book, Colorblind. However, one wonders to what extent even liberal journalists like Terry Gross realize they are collaborators.

To grasp the full extent to which Gross emboldens conservative ideas about race, one should listen to the entire 45-minute interview. For now, let this brief exchange illustrate the point,

GROSS: Your father left when you were very young. And you say that most of your friends' fathers had left. You say, "Our fathers were gone, usually because they just bounced. But we took their old records and used them to build something fresh." That's really interesting that one of your things that your father leaves behind that you can use is his records.

JAY-Z: Yeah, I guess there's a bright side to everything right?

GROSS: Yeah, well, that's one way of looking at it.

Any great interviewer--and Gross is at the top of her game--knows the role he or she plays in the outcome. Part of the science is in framing the questions.

The advancing of conservative rhetoric about Blacks persists, whether Gross is bluntly asking Jay about crimes he committed 15 years ago (crack sales and assault), or inquiring about his mother's parental decisions: "You ended up selling crack and helping your mother, as a single mother, support the family. Did she know that's how you were making the money?"

What's the takeaway message? That Jay's mom was a single parent that made poor choices, let her teenage son sell drugs and is unprincipled because she knows the money he's using to support the family comes from drug sales. It's a narrative we've heard from the Republican Revolution of 1994 to the recent well-financed media blitz that resulted in the mid-term shellacking of the Democrats.

And Terry Gross never goes off message. In a nearly hour long interview with a self-made record executive mogul and entrepreneur worth at least half a billion, on the occasion of the publication of a book he deems a coming of age story for his generation, the most pressing questions on the table range from insight into drug dealing to why rappers grab their crotches?

Don't get me wrong. I'm not saying that folks should boycott NPR or even "Fresh Air." And I'm not saying Gross should be fired. What I'm after is something much larger--a radical shift away from the growing tendency to allow conservative race analysis to dominate the ways Americans think and talk about race.

Ironically, Jay-Z points us to the territory in at least one of his responses to Gross: "I know all sorts of people saw their lives destroyed--but in America, we process that sort of thing as a tragedy," he tells Gross when she asks him about Hurricane Katrina, Kanye West and George Bush. "When it happens to black people, it feels like something else, like history rerunning its favorite loop."

Given how pervasive this narrative has become, it's going take much more than firing journalists like Gross and Williams to purge that "favorite loop" from our national culture.

Bakari Kitwana is senior media fellow at the Harvard Law-based think tank, The Jamestown Project and the author of the forthcoming Hip-Hop Activism in the Obama Era (Third World Press, 2011).

Thursday, October 14, 2010

Has Obama Earned the Youth Vote?


from the Huffington Post

Has Obama Earned the Youth Vote?
by Bakari Kitwana

As the 2010 midterm election season winds down, electoral politics experts agree that 18-29 year-old voters have a pivotal role to play on November 2nd. Anxiety among Democrats and Republicans concerning the way the political winds will blow the youth vote is crystallizing around the idea that over the last two years President Barack Obama did not fulfill his campaign commitments to the 14 million plus young voters so crucial to his 2008 victory.

Last week, the Houston, Texas local Fox affiliate framed the question like this: "Youth Vote: Obama Boost or Backlash?" or as reporter Greg Googan put it, "Twenty-four recession-racked months later, the question now looms: Is it still 'change' young Americans can believe in?"

When it comes to young voters, has the Obama Administration gone far enough?

University of Chicago Political Science Professor Cathy Cohen suggests in her new book Democracy Remixed, which should be required reading for any politician serious about the future of our democracy, that this sentiment taps into the reality staring young voters in the face everyday: failing schools, a cost of living out of sync with limited job options, an unforgiving criminal justice system, and an escalating war in Afghanistan with 20 and 30-somethings disproportionately on the frontlines, to name a few.

Several weeks before the 2008 presidential election, a rapsessions.org survey asked 18-29 year-old young voters: "What are the most important issues that you want the next president to address?" Among the top three were ending the war in Iraq and creating living wage jobs. Making college education affordable and universal healthcare also topped the list. The survey had a margin of error of 3.2 percentage points, included young Americans equal parts white, black and Latino, male and female and cut across diverse income brackets and regions of the country.

Although Obama's handling of the race question, unemployment and the partisan divide have come to dominate the mid-term elections climate, the real challenge for young voters is to consider the distance between Obama's campaign promises and what he actually delivered since young voters sent him to Washington with a mandate for change.

The economic stimulus bill was signed by Obama into law last fall (and some economists argue it has helped keep the US economy out of a depression). After a year-long protracted struggle, healthcare reform passed in the spring. And as this past summer came to a close, Obama ended the war in Iraq with an August 30 deadline for withdrawal of combat troops. Additionally, during the Obama years, we've seen historic student loan and credit card reform, as well as the extension of unemployment insurance.

Even if young voters need him to go further, and even as the public perception of Obama as a do-nothing president persists, these are pretty solid results not far from young voter's top concerns going into the 2008 Election--not to mention Obama's appointment of two Supreme Court justices (Sonia Sotomayor and Elena Kagan) who will inevitably counterbalance the previous conservative and male bent of the court.

Rather than getting drawn into misinformation-filled partisan bickering, such an assessment is going to take an honest eye on what voters asked for in 2008.

Without spin or hyperbole, scores of these voters began to do just that when they gathered in Atlanta a little more than a week ago for Ignite 2010: From the Blogs to the Blocks, a non-partisan half-day convention hosted by the League of Young Voters Education Fund. The outcome of the gathering may offer a more substantive glimpse of things to come.

There, scores of influential young activists, entertainers, and organizers came together from across the country to talk about ways of keeping their constituents engaged next month and beyond. These are the far too often nameless, faceless young leaders behind the incredible youth voter increases in 2004, 2006 and 2008.

Nearly the exact opposite of what mainstream media has been projecting about a youth vote in crisis, the dominant atmosphere at Ignite 2010 was of young voters still heavily committed to the change they voted for two years ago. Without a doubt, in most of the discussions, it was clear that young voters needed much more from Washington. But on the oft-repeated refrain of whether or not Obama has done enough, the sentiment seemed mixed.

At the end of the day, most can discern that the questions of overall youth satisfaction with their plight and Obama's productivity aren't exactly the same thing.

If this distinction, along with their track record since 2004, is any indication, then the take-away message is that young voters are not sitting out the mid-terms. Instead, they seem more interested in mastering the art of pushing the president and lawmakers even closer to their expectations. Ironically, they may be taking their cues from a small minority of voters who have shown resolve at pushing a liberal president and Democratic majority Congress further to the right.

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Bakari Kitwana is senior media fellow at the Harvard Law based think tank The Jamestown Project and the author of the forthcoming Hip-Hop Activism in the Obama Era (Third World Press, 2010).

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Sunday, September 19, 2010

Will.I.Am & 'Blackface'


from NewsOne.com

Professor Condemns Will.I.Am’s Use Of Blackface At MTV VMA
by Bakari Kitwana

Recently, Newsone contributor Bakari Kitwana spoke with Associate Professor of Visual Studies at the State University of Buffalo, John Jennings, about recent visual images of Blacks on the American popular culture scene—from Will.i.am’s Blackface to the signage at the recent 9/12 Tea Party Rally in Washington, DC. Jennings offers a crash course in media literacy, and stereotypes that he says continue to reproduce themselves in American culture.

He likens the Tea Party signs to previous eras where American racists target Jews, Irish, etc and says of blackface: “Because of the deep history of minstrelsy throughout history, I don’t think you can take it out of the history of racialization.” Such stereotypes, he says, “are like logos.”

Curator, Illustrator, Cartoonist and Graphic Novelist, John Jennings is Associate Professor of Visual Studies at the State University of New York Buffalo and the author of the new book Black Comix: African-American Independent Comics, Art and Culture, which he co-wrote with Damian Duffy. He teaches graphic art and design and his research focuses on challenging African-American stereotypes in the media and popular culture.

Listen to the Conversation HERE

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Monday, June 14, 2010

Bakari Kitwana on Alvin Greene



5 Reasons Why I'm Rooting For Alvin Greene, and Why You Should Too
by Bakari Kitwana

Since the news broke that Alvin Greene won the South Carolina Democratic Party Primary Election for US Senate, countless media and political elites, have filled several rounds of the news cycle looking down their noses at the unlikely winner. But more important than questioning where he got the $10,400 filing fee and feigning outrage in response to the obscenity charge, those who claim to love democracy should be asking this: "why are freedom-loving political insiders asking Greene to step aside?"

The same folks leading the charge against Greene, in part suggesting that he's not smart enough to have really won, are the same public servants unable to protect us from banks smart enough to rip us off, but too dumb to fail, and oversized multinational corporations smart enough to drill, but clueless about how to stop the greatest oil spill in American history.

So until said elected officials have figured out a solution to these pressing issues, alongside the unemployment crisis, the budget crises, and recurring voting irregularities in national elections that nurture a climate for more of the same, I'm rooting for Alvin Greene.

Here are five reasons why:

First, if Alvin Greene is the legitimate winner, and I think politicians should find that out with a fair investigation before asking him to step aside (as Congressman James Clyburn and Democratic Party State leader Carol Fowler have done), his win reinforces the notion that grassroots everyday people can still win elections in America--that the country, imagine this, still actually belongs to the people. Political elites reveal how far removed they are from this idea when central to their criticism of Greene is the notion that Senate primary wins are impossible without big bucks and establishment support.

I'm also rooting for Alvin Greene because he's an underdog, the quintessential outsider, so much so, his own party claims they never heard of him. That plus the fact that any non-millionaire deserves our support when he proves he can ruffle the feathers of the mainstream political establishment--those same politicians who get sent to Washington to represent the interest of the people back at home, but fail to support the majority will on pressing issues of the day.

Read the Full Essay @ The Huffington Post

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Tuesday, May 25, 2010

Rap Sessions: Does Hip-Hop Hate Women? @ Dartmouth College, May 26, 2010


Rap Sessions: Does Hip-Hop Hate Women?
A Community Dialogue and Panel

Dartmouth College
Filene Auditorium
6:00 pm

Featuring award-winning author Joan Morgan; Detroit rapper and activist Invincible; rapper Blitz the Ambassador; Duke Professor Mark Anthony Neal; and moderated By Bakari Kitwana, journalist, activist and political analyst.

Sponsored by Special Programming and Events Committee, the Center for Women and Gender, Institutional Diversity and Equity, Departments of Music and Sociology, the Women's and Gender Studies Program, Sigma Delt, TriDelt, Psi U, Lambda Upsilon Lambda, and the AAM.

Contact: Cristen Brooks, 603-646-2722

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Thursday, September 10, 2009

Is Conservative Obama Backlash the New Racism?

Bold
Is Conservative Obama Backlash the New Racism?
by Bakari Kitwana

The decision by parents across the country to keep their children home from school today rather than have students listen to the president's stay in school address follows an ugly pattern that began to emerge in the months since the election of Barack Obama as President of the United States. Conservative opposition to Obama in elite political and media circles in recent weeks has turned into routine disgruntled post-election partisan bickering to vile anti-American and racist rhetoric.

From opposition to President Obama's push for an economic stimulus bill in February, and disdain for his selection of Sonia Sotomayor to fill the Supreme Court vacancy, to contempt for his current campaign for health care reform, this voice of unreason has grown louder and more belligerent. The decision by conservative leaders to encourage parents to keep their children home from school today under the auspices that the president's message is hellbent on socialist indoctrination, as Florida GOP Chairman Jim Greer claimed, is the latest manifestation.

The National Keep Your Child at Home Day follows a trend that most notably included the anti- Obama barbs thrown by former US Vice President Dick Cheney back in April. A vice president of an immediately previous administration speaking out within months of the transition of power is something unheard of in recent US history. (Former VP Al Gore waited for eight months before criticizing President George H.W. Bush).

Cheney's departure from tradition was just the beginning. Since the new presidential administration has been underway, conservative leaders seem to have flipped from advocacy to derision on similar positions they supported under Republican presidents. The $700 billion Wall Street bailout was a necessary evil. But, for them, the $787 billion economic stimulus marked the end of capitalism. Support for the war in Iraq under President Bush was pro-American. Under Obama, the idea of not criticizing a war president has been entirely abandoned.

Read the Full Essay @ The Huffington Post

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Bakari Kitwana is senior media fellow at the Harvard Law -based think tank The Jamestown Project and the author of the forthcoming Hip-Hop Activism in the Obama Era.


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Tuesday, May 5, 2009

Bakari Kitwana: Obama Subverts White Supremacy Abroad


from NewsOne.com

OPINION: Obama Subverts White Supremacy Abroad

By Bakari Kitwana

With the national euphoria of inauguration, the multi-billion dollar corporate bailouts, and even the historic economic stimulus all recent memories, one untold story of the early days of Barack Obama’s presidency remains-the advent of a concise, bold and fearless new racial politics.

“Subverting race,” Jabari Asim, editor of the Crisis magazine, calls it in his important new book What Obama Means.

And President Obama’s uncanny knack for it takes on even greater significance post election-not simply avoiding the predicable knee-jerk behavior of traditional politics that for too long has governed race business, but advancing a more enlightened, informed and balanced racial outlook that shifts the debate at the same time.

It’s a new racial politics for a US president that, if maintained and amplified in the days ahead, will fly in the face of Barack Obama’s predecessors.

Read Full Essay @

Friday, April 24, 2009

Bakari Kitwana's UNDERGROUND CURRENT: Walter Kimbrough Discusses HBCU Grads In New Administration


from NewsOne.com


Walter Kimbrough, the 41 year-old president of Philander Smith College, speaks with Bakari Kitwana about the current state of Historically Black College and Universities. “HBCUs will be irrelevant without a revolution of leadership,” says Kimbrough, who shares success stories from his own experience as president for the last four years. Kimbrough’s strategies at Philander Smith have resulted in increased enrollment as other HBCUs have suffered a recent decline. For Kimbrough, who’s regularly on Facebook communicating with students and who hosts the popular hip-hop lecture series on his campus, “Bless the Mic,” direct, personal contact is the key. Dr. Kimbrough also speaks here about his forthcoming book, which continues his research into Black Greek letter organizations-observing that when it comes to the new Black leadership in the Obama administration: “it’s devoid both of HBCU graduates and members of Black fraternities and sororities.” He insists that this a historical shift, and “a wake up call,” for these nearly century-old Black institutions.

Walter Kimbrough is president of Philander Smith College, a leading researcher on Black Greek letter organizations, and the author of Black Greek 101.

Tuesday, April 7, 2009

Bakari Kitwana on John Hope Franklin


photo by DAWOUD BEY

from The Huffington Post

Did John Hope Franklin Want $100 Trillion For Blacks?
by Bakari Kitwana

Dr. John Hope Franklin, the wildly accomplished historian who documented Blacks’ place in the great American story, firmly believed in reparations — the idea that the descendants of slaves in the United States should be compensated for the centuries of free labor that enriched slaveowners and their descendants and the American empire. It is a fact overlooked by the recent flurry of mainstream media coverage commemorating his life work. (He died at the age of 94 late last month.) But it is no small detail.

Consider his response in 2007 to state legislators in North Carolina and Virginia who balked at apologies for slavery introduced by their peers. For him a mere verbal apology wasn’t enough.

Read the Fully Essay HERE

Does Hip-Hop Hate Women? Chatting Up Chrianna and Youth Culture


from NewsOne.com

PODCAST: Experts Rap About Chrianna & Youth Culture

As the world waits for Chris Brown to appear in court today to be arraigned on two felony charges connected to the dating violence incident with R & B singer Rihanna, NewsOne.com sat down with a handful of journalists, scholars and activist who have had their finger on the pulse of hip-hop generation’s gender wars for much of the last decade: Tracy Sharpley-Whiting (author, Pimps Up, Hos Down and director of Black Studies at Vanderbilt University), Joan Morgan (author of When Chickenheads Come Home to Roost), and Newsone’s own senior editor Bakari Kitwana (Underground Current and director of Rap Sessions). This was moderated by Mark Anthony Neal (Left of Black and author of New Blackman).

The debate got heated on all sides as the group challenged young fans and the mainstream media and prepared for the Does Hip-Hop Hate Women? townhall meeting this Thursday April 9 at Connecticut College.

Listen Here

Wednesday, March 18, 2009

Bakari Kitwana on Rihanna, Chris Brown and Partner/Domestic Violence


from NewsOne

A Hip-Hop Response To Chris Brown & Rihanna
By Bakari Kitwana

For nearly an entire week, the Chris Brown/Rihanna alleged abuse incident has dominated major news media headlines. Unfortunately, these sensationalized reports did less to elucidate the national epidemic of violence against women and more to cement into our national psyche the idea that the new face of domestic abuse is young, Black and hip-hop. Instead of accepting sole responsibility for one of America’s most neglected pathologies, young Americans should turn this tragedy into an opportunity.

In the last two election cycles, hip-hop led the way in making involvement in national elections fashionable among youth. Hip-hop political organizers could do the same in extending that influence into the arena of public policy with the goal of establishing an innovative solution to abuse that shifts the way the nation thinks about its treatment of women.

The election of President Barack Obama, with young people across race supporting him long before even the African American community’s vote was solidified, marked the first political victory for this generation. Two-thirds of the 23 million young Americans 18-29 who voted in the 2008 presidential election voted for Barack Obama. These same young people taking the lead on a public policy solution to end dating violence would be an important second act.

Contrary to public opinion the hip-hop community has a long history of resisting the status quo of domestic abuse, misogyny and gender inequity. From books like Tracy Sharpley-Whiting’s Pimps Up, Hos Down and films like Aishah Simmons’ No! The Rape Documentary to organizations like the Center for Young Women’s development and Industry Ears, Inc., there is an emerging hip-hop generation leadership that has its finger on the pulse of a change agenda for women.

Such an agenda is reflected in the nearly 5000 comments posted on Blackplanet.com responding to Chris Brown and Rihanna newsone.com updates. The overwhelming mood of these comments was that the Black community needed to separate itself from stereotypes of domestic violence. Blackplanet.com members even spontaneously created online discussion groups to address the issue.

The media’s obsession with the Chris Brown/Rihanna incident, alongside a new administration that seems to take the debt it owes young voters seriously offers young political organizers a rare opportunity for this generation to take the lead on dating and domestic abuse.

Read the Full Essay HERE

Saturday, February 21, 2009

Bakari Kitwana on the New York Post Cartoon


from NewsOne.com

OPINION: The Post’s Post-Racial Politics

By Bakari Kitwana
February 20, 2009

Yesterday, as I prepared for the kick-off to the national discussion tour focused on the theme “Is America Really Post-Racial?” which will convene in ten US cities this spring, I received emails from around the country commenting on The New York Post cartoon that depicts a chimpanzee being shot by two white police officers. The cartoon prominently displays one of the officers saying, “They’ll have to find someone else to write the next stimulus bill.”

The commentary comes on the heels of the historic election of Barack Obama as the nation’s first Black president. During the campaign, Obama had been likened to the famed children’s book protagonist and monkey, “Curious George,” and numerous Americans openly expressing their discontent with the very idea of the US president for the first time not being a white male.

Likewise, the recurring backdrop to the historic campaign with an African American as frontrunner was the need for secret service protection for Obama due to the overwhelming number of death threats and the subsequent concern that some nut case might attempt to bring him harm-an idea reiterated by at least one attempted plan in Colorado to make good on the threats during the Democratic National Convention.

One of the routines that have long played out in American electoral politics when it comes to race is politics by suggestion and association. Willie Horton ads, Bill Clinton’s remark about Sister Souljah in 1992, the racially-charged commentary at McCain-Palin rallies during the primaries-all were designed with the intent that Americans would make an emotional connection to previously held ideas about race, racial cues if you will. This cartoon is no different.

Media and political elites intent on playing the game of American’s old racial politics have in the last several decades become quite adept at two primary tried and tested strategies: feigning innocent when they get called on their racist behavior; and when that doesn’t work, defending racist ploys by claiming those offended should get over their sensitivities and toughen their skin.

While it is true that a pet chimpanzee was shot days ago in Stamford, Connecticut that chimpanzee had absolutely nothing to do with the economic stimulus bill. President Barack Obama, by contrast, has been associated with the economic stimulus package from nearly day one of his administration.

So it is nearly impossible to not make some association between the Sean Delonas cartoon and recent current events. And it was painfully obvious to see those on the wrong side of the issue do this usual dance.

The good news is that those strategies have run their course. And like other divide and conquer approaches, such tactics, I believe, will continue fall flat in a post civil rights politics environment.

Read the Full Essay @