Monday, July 13, 2009

Even So-Called "Conscious" Rappers Cross the Line



"Make Her Say (Poke Her Face)”:
Un-conscious Hip Hop, Oral Rape and the Silencing of Women
by Jennifer McLune

Author’s Note: The following essay represents my attempt at articulating a response to Kid Cudi’s “Make Her Say (Poke Her Face),” featuring Common and Kanye West. I’d like to be honest in stating upfront that, during the process of writing this piece I only listened to the song and read over its lyrics on an absolutely-as-needed basis. The words & the images these contempt-ridden lyrics created in my mind left me feeling physically sick and emotionally depleted, even at times to the point of being traumatized.

As a female listener, one willing to allow herself to really hear this song’s words and take them to heart, the message was painfully clear: women like dick; we like it violently shoved in our faces, and, according to Common at least, we want oral sex forced upon us, however brutally men see fit to give it. We even enjoy having a man’s penis shoved down our throats, pushed up our mouths, literally rammed through our faces so far and with so much force that a penetration of the internal matter of our skulls occurs, i.e. the man hits “brain” with his dick. According to Common, Kanye and Kid Cudi, some women enjoy this kind of brutal, body punishing oral sex; they can learn how to beg, not only to be used as receptacles for men’s semen, but to be violated to the point of physical injury. Having to deal with this type of pure, unmitigated misogyny, and needing to think about it for an extended period of time in order to write about it made the completion of this piece extremely difficult. I enlisted the help of another radical feminist, Stephanie Cleveland, whose support and contributions in editing and writing spared me the ordeal of having to complete this essay all alone.

When the song “I Poke Her Face” was first brought to my attention, I thought that, if nothing else, at least Common’s “consciousness pimping” would finally being exposed. I imagined the singer would no longer be able to hide behind what we his listening public have so long pretended he’s about; this songs lyrics seemed to make it painfully clear who Common really is, and has in fact always been: a consciousness pimp who likes and expects to get my dick sucked by “stripper bitches,” just like any other woman-hating guy. Common seemed to be indisputably articulating that sentiment in the song, but leave it to one of his male fans, DC area poet and activist Kenneth Carroll, to dissent with a comment that is not only unoriginal, but also does exactly what Common and Kanye must have banked on—it demonstrates how their fans will dismiss any song, even one this overtly hateful, as a mere “inconsistency” in their struggle to be better men, certainly not an overt manifestations of the sadistic, full-blown misogynist these men really and truly are. Carroll writes:

I like Common, but this song reminds me of the Gil Scott Heron admonition to rappers on his album Spirits, when he told rappers "You can't be progressive on every other song. She's your queen on one song and your bitch on the other." Inconsistency is an issue for all of us however, that's part of the struggle to live to our highest ideals.
Why did the above statement make me feel almost as nauseated as the actual song itself? For starters, Carroll's response demonstrates no mere inconsistency, but rather, a particularly dangerous form of hypocrisy with respect to violence against women. He purports to care about honoring black women, but then proceeds to mask the sexual abuse of his sisters in callous euphemisms. "Inconsistency" is way too mild a term to use for inflicting the kind of sexual abuse on a woman Common sings about. Often times, I have noticed that most men, who won’t actually bring themselves to defend a song like “Poke Her Face,” but will instead use vague excuses in order to avoiding critiquing its message, may be doing so in order to continue living vicariously through these kinds of misogynist lyrics. Common creates a fantasy with these songs that many men can relate to, a fantasy world where men can be sexually dominant over a woman, and, at least in their own minds, put her back in her place.

Read the Full Essay @ Celie's Revenge

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