from Critical Noir @ Vibe.com"Premature Autopsies" for the Unrepentant Race Man (ver. 1.0)
by Mark Anthony Neal
On his 1989 recording, Majesty of the Blues, Grammy Award-winning trumpeter Wynton Marsalis paid tribute to the legacy of New Orleans Jazz. The centerpiece of the recording was a three-part suite called "The New Orleans Function." Arranged as a traditional New Orleans funeral on the occasion of "The Death of Jazz," the suite features a 16-minute sermon aptly titled "Premature Autopsies." Though "Premature Autopsies" was written by noted Jazz critic and curmudgeon Stanley Crouch, it is none other than the Reverend Jeremiah A. Wright, Jr. who delivers the sermon on the recording. While Reverend Wright was largely unknown to most in America only two months ago, at the time he recorded "Premature Autopsies" he was already regarded among the black cultural vanguard as one of Black America's--if not America's--greatest preachers.
Like the music that Marsalis "recreated" for Majesty of the Blues, Reverend Wright's preaching was the embodiment of what some might call "classical" Black American Culture--easily recalling examples like the Fisk Jubilee Singers, Louis Armstrong, Mahailia Jackson, Bessie Smith, Katherine Dunham, Langston Hughes, and Duke Ellington, the latter whom serves as the primary referent throughout "Premature Autopsies." Crouch composed "Premature Autopsies," in response the sense that classical Black American Culture was under assault in the marketplace and by a dismissive generation of young Americans. The sermon gives the strongest inkling to what drives Crouch's very public criticisms of rap music and hip-hop culture. But I also submit that the passion with which Reverend Wright delivers the sermon also explains the sense of indignity that was on display during the Q&A portion of Wright's recent talk at the National Press Club.
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