Showing posts with label Sampling. Show all posts
Showing posts with label Sampling. Show all posts

Thursday, April 7, 2011

Sampling Soul--Duke University Fall 2011



Black Popular Culture—Sampling Soul (AAAS 132)
Mark Anthony Neal and 9th Wonder (Patrick Douthit)
Fall Semester 2011
White Lecture Hall 107
Tuesdays 6:00pm -- 8:25pm

***

Soul Music emerged in the late 1950s and became the secular soundtrack of the Civil Rights and Black Power Movements of the 1960s and 1970s. Artists such as Aretha Franklin and James Brown and record companies such as Motown and Stax, as well as the term Soul became symbols of black aspiration and black political engagement. In the decades since the rise of Soul, the music and its icons are continuously referenced in contemporary popular culture via movie trailers, commercials, television sitcoms and of course music. In the process Soul has become a significant and lucrative cultural archive.

Co-taught with Grammy Award winning producer 9th Wonder and Duke University Professor Mark Anthony Neal, Sampling Soul will examine how the concept of Soul has functioned as raw data for contemporary forms of cultural expression. In addition the course will consider the broader cultural implications of sampling, in the practices of parody and collage, and the legal ramifications of sampling within the context of intellectual property law. The course also offers the opportunity to rethink the concept of archival material in the digital age.

Monday, March 1, 2010

Gil Scott Heron on the Culture of Sampling



Scott Heron riffs on the sampling of his music by hip-hop artists, before going into "Your Daddy Loves You"

Bookmark and Share

Thursday, January 7, 2010

Sampling Soul and Reading Illmatic



North Carolina Public Radio--WUNC
The State of Things Hosted by Frank Stasio

Hip Hop Generations
Wednesday, January 06 2010

This semester at Duke University professor Mark Anthony Neal of Duke's African and African-American Studies Department is joining forces with Grammy Award-winning music producer 9th Wonder to teach a class called "Sampling Soul." It's a look at how the songs that made up the social soundtrack of the Civil Rights Movement and the Black Power Movement remain relevant in contemporary culture. Neal also contributed to the new book, Born to Use Mics: Reading Nas's Illmatic (Basic Civitas Books/2010). It's a collection of essays that brings hip-hop scholars together to analyze the early artistry of Nas track-by-track. Bucknell University’s James Braxton Peterson (Duke '93) joins Neal and host Frank Stasio to talk about the importance of "Illmatic" and how it resonates with a new generation of hip-hop artists.

Listen HERE

Bookmark and Share