Showing posts with label Lee Daniels. Show all posts
Showing posts with label Lee Daniels. Show all posts

Wednesday, December 9, 2009

'The Precious Specials' - A Conversation with the Brothers



'THE PRECIOUS SPECIALS' - A CONVERSATION WITH THE BROTHERS

Hosted by Esther Armah (WBAI/Wakeup Call)

Guests are: Quintin Walcott, Director of the CONNECT Training Institute and CONNECT’s Male Anti-Violence Initiatives; Mark Anthony Neal, author and Professor of African and African American Studies @ Duke University; Sharif Simmons, Creative Writing Teacher at the Alice Steven Center from 5th Grade to High School in Birmingham Alabama, Poet, Musician and Single Father.

Discussion of Black Male media reactions to the film Precious

Ishmael Read "The Selling of Precious" (Counterpoint)
Armond White "Pride and Precious" (New York Press)

Listen to Conversation HERE
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Thursday, November 12, 2009

'The Color Purple' vs. 'Precious'



These two commercially successful, much-hyped films both explore incest, teenage pregnancy, illiteracy and colorism within the black community. So why has “Precious” not gotten “The Color Purple” treatment?

The Color Precious
by Salamishah Tillet

Given its celebrity fanfare and feminist themes, is Lee Daniels’ Precious: Based on the Novel Push by Sapphire, a 21st-century The Color Purple? Or is it Native Son in drag?

Lee Daniels’ second film, Precious, fared quite well last weekend. Despite its soft release in only 18 theaters, Precious pulled in a remarkable $1.8 million, suggesting that on average, each theater made $100,000 off its showing. Even my brazen attempt to see the film in Times Square on Sunday night resulted in my having to purchase a ticket for Monday morning, because all four of the remaining shows were sold out in Harlem and Union Square.

With its mostly positive critical reviews and its popularity among African-American audiences, Precious, for all appearances, has struck gold. In many ways, the cultural phenomenon that has become Precious harkens back to the financial success of The Color Purple, Steven Spielberg’s 1985 adaptation of Alice Walker’s 1982 novel of the same name. A year after its original release date, The Color Purple, which also boasted a strong opening had made almost $100 million.

However, unlike the favorable reception that has greeted Precious, The Color Purple sparked great controversy about its negative portrayals of African-American families, and, in particular, African-American men. Given their explorations of the similar themes of incest, teenage pregnancy, illiteracy and colorism within the African-American community, why has Precious received so little backlash?

Read the Full Essay @ THE ROOT

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Salamishah Tillet is an assistant professor of English at the University of Pennsylvania and co-founder of the non-profit organization, A Long Walk Home, Inc., which uses art therapy and the visual and performing arts to document and to end violence against underserved women and children.

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Sunday, September 13, 2009

Trailer for 'Precious' Based on Sapphire's Novel 'Push'



I taught Sapphire's Push in a literature course about a decade ago and never did it again, because it was such a brutal tale and I just didn't feel equipped to handle it in the classroom. If the film captures any of the essence of the novel, it will likely affect folk the same way. The trailer suggest that Mo'Nique gives the performance of a lifetime and I had to do a double-take to believe that the social worker was Mariah Carey. Financial backing by Oprah Winfrey and Tyler Perry and direction by Lee Daniels of Monster's Ball fame.

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