The Game at Its Best: Beautiful Struggler Responds

A "Pause" for The Cause

by Sister Toldja

I got hip to The Boondocks comic strip when I was in high school. You know that feeling Roberta Flack described in “Killing Me Softly”, the whole “singing my life with his words” thing? Yeah, Aaron McGruder gave me alla that. I’d read the strip online daily, print it out and share it with my parents, hang it up in my locker. I bought every collection of strips that came out and totally obsessed over all things Boondocks. I was extremely hyped about the animated series…until it aired. It’s funny, where the strip was hilarious and smart, where the print comic was brilliant. I have some other complaints too, but overall, I just find the show to be decent.

But then you have this week’s episode, “Pause”. McGruder takes on both Tyler Perry and the “pause”/”no homo” phenomenon in one fell swoop. Brilliant. Hilarious. And, most of all, courageous. The writer isn’t hardly the first one to criticize Mr. Perry’s work publicly; Spike Lee has done it and lesser known writers go at him all the time. But McGruder goes in quite differently than anything I’ve seen or read thus far.

The plot: Granddad decides to audition for a “Winston Jerome” play. We learn through Huey’s narration that Jerome’s plays typically feature an educated, successful and virtuous Black woman trapped in an unhappy marriage to an abusive dark complexioned man, until she is saved by Jesus and the love of a light-skinned blue collar man. Granddad is chosen as the “light-skinned, good haired” leading man in “Ma’ Finds Herself A Man” because he’s Jerome’s type. He then finds himself forced to join the playwright’s “homo-erotic Christian theatre cult” (I TOLD YOU HE WENT IN!) and temporarily abandons his family for the chance at stardom.

McGruder nails the likely reason a lot of actors reduce themselves to the Perry factory via a brief appearance by Kadeem Hardison as himself. Sitting next to Grandpa at the audition, he quips “What, I’m supposed to wait for the next Akeelah And The Bee to pay my mortgage?” He also lampoons the way in which Perry seems to use his relationship with Jesus as his line of defense for any criticism of his work:” …(I) would never ever kiss a man. That would be homosexual and against my Christian faith. But Jesus wants us to be actors first and heterosexuals second…but when I go on stage, Jesus wants me to become (Ma’Dukes)…“, quoth Jerome in his attempt to convince Grandpa to kiss him on stage.

Read the Full Essay @ The Beautiful Struggler